Fhilip V’s entry into the city of Seville, where the Court moved between 1729 and 1733.
Fhilip V’s entry into the city of Seville, where the Court moved between 1729 and 1733.
Drawing of “Máquina para trillar las mises” by Lorenzo Sánchez Mansilla. It is an illustration of the work: “Dissertación de la máquina para trillar”, by Juan Cristóbal Manzanares
Camila Gonzaga, married to the Count of San Secondo, is portrayed with three of her six children by Parmigianino
The image represents “El Motín de Esquilache”, a work by José Martí y Monsó, which received the Honourable Mention at the National Exhibition of Fine Arts in 1864.
Representation of women’s activities in the world of work and economy through the brush of Marinus van Reymerswale
Everyday life. The image shows a painting depicting the formalisation of a woman’s dowry contribution. The work, entitled “The Bride’s Dowry”, is by José Gallegos y Arnosa.
The play depicts one of the female activities in the world of work and economics around market sales in the Modern Age
War conflicts in the Spanish Monarchy. The image shows the painting by Velázquez, entitled “The Spears”, or “The Surrender of Breda”, executed around 1635.
This portrait by Alonso Sánchez Coello shows a dual feminine aspect in the context of the courtly or courtly space: the position of those noblewomen who belonged to royalty, and also of those who accompanied them and formed part of the circles of power, occupying the royal offices of the Chamber or the Household.
Representation of social reality in a couple’s early marital scenes