{"id":15859,"date":"2022-04-12T20:18:25","date_gmt":"2022-04-12T18:18:25","guid":{"rendered":"https:\/\/historylab.es\/san-juan\/"},"modified":"2022-09-28T13:28:50","modified_gmt":"2022-09-28T11:28:50","slug":"san-juan","status":"publish","type":"post","link":"https:\/\/historylab.es\/es\/san-juan\/","title":{"rendered":"San Juan"},"content":{"rendered":"<p>Est\u00e1 considerada una de las esculturas m\u00e1s importantes de todo el Barroco espa\u00f1ol y el mejor exponente de la idea de movimiento entre todas las im\u00e1genes de Salzillo. De talla completa, se representa en actitud de caminar. Su soberbia policrom\u00eda, con tallos y flores realizadas en oro a trav\u00e9s de la t\u00e9cnica del estofado, suponen una de las m\u00e1s sobresalientes realizaciones de la imaginer\u00eda espa\u00f1ola del momento. Esta importancia concedida a los procesos pol\u00edcromos hab\u00eda alcanzado su apogeo tiempo atr\u00e1s, en el reinado de los Austrias. El paso del Renacimiento al Barroco supuso la separaci\u00f3n de de pintores y policromadores, puesto que los primeros se adentraron en las corrientes intelectuales del momento alej\u00e1ndose de las reglas establecidas. Los cambios de tipo hist\u00f3rico y social originaron transformaciones que afectaron tanto a los motivos representados como a las t\u00e9cnicas de ejecuci\u00f3n. La producci\u00f3n escult\u00f3rica de Salzillo supone, por tanto, el cierre definitivo a una de las etapas art\u00edsticamente m\u00e1s prol\u00edficas del arte espa\u00f1ol.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Imagen de corte procesional esculpida por Francisco Salzillo en 1755. 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