{"id":15860,"date":"2022-04-12T20:18:25","date_gmt":"2022-04-12T18:18:25","guid":{"rendered":"https:\/\/historylab.es\/recua-y-gitanos-en-un-bosque\/"},"modified":"2022-09-28T13:28:57","modified_gmt":"2022-09-28T11:28:57","slug":"recua-y-gitanos-en-un-bosque","status":"publish","type":"post","link":"https:\/\/historylab.es\/es\/recua-y-gitanos-en-un-bosque\/","title":{"rendered":"Recua y gitanos en un bosque"},"content":{"rendered":"<p>Este \u00f3leo sobre cobre del flamenco Jan Brueghel el Viejo se sit\u00faa en los primeros a\u00f1os del seiscientos, cuando sus vistas, bosques y paisajes panor\u00e1micos adquieren mayor realismo y en donde abundan detalles de gran calidad t\u00e9cnica. A lo largo del siglo XVII la naturaleza se hab\u00eda convertido en el escenario ideal para la representaci\u00f3n de los gitanos, grupo errante que se mov\u00eda por Europa desde inicios del 1400. Brueghel representa el tema haciendo figurar en primer plano un frondoso bosque a cuya izquierda se abre en diagonal un ampl\u00edsimo valle resuelto a base de azules. Las mujeres gitanas se han situado estrat\u00e9gicamente en un sendero de paso obligatorio que permite abordar a los transe\u00fantes y sus mercanc\u00edas. La que est\u00e1 sentada con el ni\u00f1o en brazos cubre su cabeza con un bern, sombrero de forma circular confeccionado con una base de mimbre y telas entrelazadas y que fue muy caracter\u00edstico de la indumentaria femenina gitana hasta mediados del siglo XVII. Las restantes se protegen con un sencillo pa\u00f1uelo atado a la cabeza. Aunque habitualmente las mujeres de esta etnia iban descalzas, Brueghel las ha representado con calzado, a excepci\u00f3n del ni\u00f1o que anda sin zapatos. Como ayuda para el camino, varios de ellos portan varas de caminante.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paisaje con figuras de Jan Brughel el Viejo realizado al \u00f3leo. 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