{"id":15936,"date":"2022-04-12T20:18:49","date_gmt":"2022-04-12T18:18:49","guid":{"rendered":"https:\/\/historylab.es\/el-choricero\/"},"modified":"2022-05-18T09:52:47","modified_gmt":"2022-05-18T07:52:47","slug":"el-choricero","status":"publish","type":"post","link":"https:\/\/historylab.es\/es\/el-choricero\/","title":{"rendered":"El choricero"},"content":{"rendered":"<p>El vendedor que protagoniza la composici\u00f3n, acompa\u00f1ado en la distancia de un aguador, refleja en la Espa\u00f1a del siglo XVIII y bajo los trajes populares de esa \u00e9poca, la tradici\u00f3n de las composiciones sobre vendedores ambulantes establecida en Italia a principios del siglo XVII, por Annibale Carraci, en una popular y difundida serie de aguafuertes. En este caso, se trata de un cart\u00f3n para tapiz de la Sala de Embajadores de El Escorial, realizado a partir de un peque\u00f1o boceto.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Retrato de una escena de venta ambulante realizada por Ram\u00f3n Bayeu en el siglo XVIII<\/p>\n","protected":false},"author":1,"featured_media":8452,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[39],"tags":[2682],"coleccion":[4788],"tipologia":[],"actividad":[],"projects-collections":[4801,4793,4791],"class_list":["post-15936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categorizar","tag-trabajo-oficios-historia-del-trabajo-pintura-artes-mecanicas-choricero-venta-ambulante-retrato-ramon-bayeu-siglo-xviii-museo-del-prado","coleccion-imagenes","projects-collections-2-impacto-social-y-economico-de-las-revoluciones-tecnologicas-en-europa","projects-collections-3-mundo-rural-y-mundo-urbano-en-la-formacion-de-la-identidad-europea","projects-collections-9-viajes-y-viajeros-conexiones-economicas-sociales-y-culturales"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts\/15936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/comments?post=15936"}],"version-history":[{"count":1,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts\/15936\/revisions"}],"predecessor-version":[{"id":17602,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts\/15936\/revisions\/17602"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/media\/8452"}],"wp:attachment":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/media?parent=15936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/categories?post=15936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/tags?post=15936"},{"taxonomy":"coleccion","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/coleccion?post=15936"},{"taxonomy":"tipologia","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/tipologia?post=15936"},{"taxonomy":"actividad","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/actividad?post=15936"},{"taxonomy":"projects-collections","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/projects-collections?post=15936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}