{"id":15977,"date":"2022-04-12T20:19:01","date_gmt":"2022-04-12T18:19:01","guid":{"rendered":"https:\/\/historylab.es\/el-albanil-herido\/"},"modified":"2022-05-18T09:48:51","modified_gmt":"2022-05-18T07:48:51","slug":"el-albanil-herido","status":"publish","type":"post","link":"https:\/\/historylab.es\/es\/el-albanil-herido\/","title":{"rendered":"El alba\u00f1il herido"},"content":{"rendered":"<p>Esta pintura presenta leves modificaciones en relaci\u00f3n al boceto \u00abEl alba\u00f1il borracho\u00bb. Con una factura menos suelta, al tratarse de la composici\u00f3n definitiva, la escena ha sido dignificada mediante una representaci\u00f3n de mayor decoro, m\u00e1s adecuada para el lugar al que estaba destinada. La herida del personaje no es tan visible y sus compa\u00f1eros ya no se dirigen la mirada ni sonr\u00eden, aparecen con el semblante serio, ce\u00f1o fruncido y reflexionando sobre lo sucedido.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Escena de compa\u00f1erismo al trasladar entre dos oficiales a otro alba\u00f1il herido en la obra<\/p>\n","protected":false},"author":1,"featured_media":8439,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[39],"tags":[2722],"coleccion":[4788],"tipologia":[],"actividad":[],"projects-collections":[4793,4794],"class_list":["post-15977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categorizar","tag-historia-del-trabajo-albanil-oficio-goya-herido-companerismo-oficial-albanileria-siglo-xviii-museo-del-prado","coleccion-imagenes","projects-collections-3-mundo-rural-y-mundo-urbano-en-la-formacion-de-la-identidad-europea","projects-collections-4-familia-vida-cotidiana-y-desigualdad-social-en-europa"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts\/15977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/comments?post=15977"}],"version-history":[{"count":1,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts\/15977\/revisions"}],"predecessor-version":[{"id":17562,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts\/15977\/revisions\/17562"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/media\/8439"}],"wp:attachment":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/media?parent=15977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/categories?post=15977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/tags?post=15977"},{"taxonomy":"coleccion","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/coleccion?post=15977"},{"taxonomy":"tipologia","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/tipologia?post=15977"},{"taxonomy":"actividad","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/actividad?post=15977"},{"taxonomy":"projects-collections","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/projects-collections?post=15977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}