{"id":16059,"date":"2022-04-12T20:19:38","date_gmt":"2022-04-12T18:19:38","guid":{"rendered":"https:\/\/historylab.es\/vista-de-sevilla\/"},"modified":"2022-05-18T09:27:30","modified_gmt":"2022-05-18T07:27:30","slug":"vista-de-sevilla","status":"publish","type":"post","link":"https:\/\/historylab.es\/es\/vista-de-sevilla\/","title":{"rendered":"Vista de Sevilla"},"content":{"rendered":"<p>La pintura posiblemente se basa en un grabado de Ambrosius Brambilla, de escuela italiana y fechado en 1585. Realizada por Louis Caullery, la obar muestra una panor\u00e1mica idealizada de Sevilla vista desde Triana en perspectiva caballera, propia de la \u00e9poca, donde dominan los tonos ocres y verdes. La perspectiva jer\u00e1rquica combina el detallismo de los principales edificios de la \u00e9poca con la simplificaci\u00f3n de los edificios m\u00e1s comunes. La pintura responde a una visi\u00f3n elaborada en la que no es una transcripcci\u00f3n real, sino una imagen ideal, ordeanada y arquet\u00edpica de la ciudad que evoca una experiencia visual m\u00e1s que un reflejo real.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vista idealizada de la ciudad de Sevilla durante el siglo XVI<\/p>\n","protected":false},"author":1,"featured_media":9018,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[39],"tags":[2828],"coleccion":[4788],"tipologia":[],"actividad":[],"projects-collections":[4793],"class_list":["post-16059","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categorizar","tag-sevilla-vista-de-sevilla-pintura-idealizacion-costumbrismo-siglo-xvi-museo-de-bellas-artes-de-sevilla-rio-guadalquivir","coleccion-imagenes","projects-collections-3-mundo-rural-y-mundo-urbano-en-la-formacion-de-la-identidad-europea"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts\/16059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/comments?post=16059"}],"version-history":[{"count":1,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts\/16059\/revisions"}],"predecessor-version":[{"id":17423,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/posts\/16059\/revisions\/17423"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/media\/9018"}],"wp:attachment":[{"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/media?parent=16059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/categories?post=16059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/tags?post=16059"},{"taxonomy":"coleccion","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/coleccion?post=16059"},{"taxonomy":"tipologia","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/tipologia?post=16059"},{"taxonomy":"actividad","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/actividad?post=16059"},{"taxonomy":"projects-collections","embeddable":true,"href":"https:\/\/historylab.es\/es\/wp-json\/wp\/v2\/projects-collections?post=16059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}