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	<title>Antonio López de Vega - History Lab</title>
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		<title>Criticism of the theatre by Antonio López de Vega</title>
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		<pubDate>Sat, 19 Feb 2022 16:33:46 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Antonio López de Vega]]></category>
		<category><![CDATA[Censura]]></category>
		<category><![CDATA[cultura]]></category>
		<category><![CDATA[Teatro]]></category>
		<category><![CDATA[XVII]]></category>
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					<description><![CDATA[<p>Fragment of text in which Antonio López de Vega criticises the theatre, adducing a series of reasons for the rejection it generates</p>
<p>The post <a href="https://historylab.es/criticism-of-the-theatre-by-antonio-lopez-de-vega/">Criticism of the theatre by Antonio López de Vega</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>In this text dated 1641, Antonio López de Vega defends the censorship of the theatre for presenting a whole series of problems linked to its style. Guillermo Carnero explains the Spanish poet&#8217;s motivations, basing them on his rejection of the mixture of the comic and the tragic, as well as the multiplicity of plots lacking a logical unity. In the same way, it is a space in which characters of such high social value as kings are ridiculed, while others of low social standing are exalted. On the other hand, he was repulsed by gestural exaggerations and the use of verisimilitude as opposed to truth. Lope de Vega&#8217;s statements would constitute a precedent and would be followed in time by those who would advocate the censorship of the theatre.</p><p>The post <a href="https://historylab.es/criticism-of-the-theatre-by-antonio-lopez-de-vega/">Criticism of the theatre by Antonio López de Vega</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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