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	<title>Barroco - History Lab</title>
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	<link>https://historylab.es</link>
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	<title>Barroco - History Lab</title>
	<link>https://historylab.es</link>
	<width>32</width>
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	<item>
		<title>Still life of hunt, vegetables and fruits</title>
		<link>https://historylab.es/still-life-of-hunt-vegetables-and-fruits/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=still-life-of-hunt-vegetables-and-fruits</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Bodegón]]></category>
		<category><![CDATA[Escuela española]]></category>
		<category><![CDATA[Naturaleza muerta]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Sánchez Cotán]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/bodegon-de-caza-hortaliza-y-frutas/</guid>

					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/still-life-of-hunt-vegetables-and-fruits/">Still life of hunt, vegetables and fruits</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Sánchez Cotán was a Carthusian monk from Toledo. He is famous for his highly realistic still lifes, which represent one of the summits of this pictorial genre, at a time when other Spanish artists also cultivated it (Zurbarán, Labrador, Yepes&#8230;)</p><p>The post <a href="https://historylab.es/still-life-of-hunt-vegetables-and-fruits/">Still life of hunt, vegetables and fruits</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<item>
		<title>Embrace of St. Francis of Assisi to the Crucified One</title>
		<link>https://historylab.es/embrace-of-st-francis-of-assisi-to-the-crucified-one/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=embrace-of-st-francis-of-assisi-to-the-crucified-one</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Catolicismo]]></category>
		<category><![CDATA[Contrarreforma]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Ribalta]]></category>
		<category><![CDATA[Valencia]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/abrazo-de-san-francisco-de-asis-al-crucificado/</guid>

					<description><![CDATA[<p>History of mentalities</p>
<p>The post <a href="https://historylab.es/embrace-of-st-francis-of-assisi-to-the-crucified-one/">Embrace of St. Francis of Assisi to the Crucified One</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Francisco Ribalta was one of the masters of the early Spanish Baroque. He was active in Valencia and was noted for his religious paintings of great mystical importance. This work is an altar painting from a disentailed Capuchin convent in Valencia. And how the exclaustrations led to the dispersion of works of art in public museums and private collections, shaped by the inheritance of the rich conventual legacy</p><p>The post <a href="https://historylab.es/embrace-of-st-francis-of-assisi-to-the-crucified-one/">Embrace of St. Francis of Assisi to the Crucified One</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The Virgin and Child with the Infant Jesus and Saint John the Baptist Child, Zurbarán</title>
		<link>https://historylab.es/the-virgin-and-child-with-the-infant-jesus-and-saint-john-the-baptist-child-zurbaran/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-virgin-and-child-with-the-infant-jesus-and-saint-john-the-baptist-child-zurbaran</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Contrarreforma]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Zurbarán]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/la-virgen-con-el-nino-jesus-y-san-juan-bautista-nino-zurbaran/</guid>

					<description><![CDATA[<p>History of mentalities</p>
<p>The post <a href="https://historylab.es/the-virgin-and-child-with-the-infant-jesus-and-saint-john-the-baptist-child-zurbaran/">The Virgin and Child with the Infant Jesus and Saint John the Baptist Child, Zurbarán</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Zurbarán was one of the great painters of the Spanish Golden Age. He specialised in religious themes and monastic cycles. In this work he shows Mary and Jesus with Saint John in a domestic setting. His mastery in the use of colour and the folds of the drapery is outstanding</p><p>The post <a href="https://historylab.es/the-virgin-and-child-with-the-infant-jesus-and-saint-john-the-baptist-child-zurbaran/">The Virgin and Child with the Infant Jesus and Saint John the Baptist Child, Zurbarán</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Guevara Palace</title>
		<link>https://historylab.es/guevara-palace/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=guevara-palace</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Arquitectura]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Columnas salomónicas]]></category>
		<category><![CDATA[Guevara]]></category>
		<category><![CDATA[Heráldica]]></category>
		<category><![CDATA[Lorca]]></category>
		<category><![CDATA[Nobleza]]></category>
		<category><![CDATA[Palacio]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/palacio-de-guevara/</guid>

					<description><![CDATA[<p>Power elites, Cultural history</p>
<p>The post <a href="https://historylab.es/guevara-palace/">Guevara Palace</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Palace of the Guevara family, located in Lorca (Murcia). It was completed at the end of the 17th century and is an example of civil Baroque architecture. The most striking feature is its altarpiece façade (of anonymous authorship), with Solomonic columns and a heraldic display (Guevara, Marín, García de Alcaraz and Ponce de León). The owner of the house, Don Juan de Guevara, was a knight of the Order of Santiago. The building is also notable for its courtyard, staircase and various works of art (especially paintings by Camacho Felices)</p><p>The post <a href="https://historylab.es/guevara-palace/">Guevara Palace</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Inocencio X</title>
		<link>https://historylab.es/inocencio-x/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=inocencio-x</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Papa]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<category><![CDATA[roma]]></category>
		<category><![CDATA[Velázquez]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/inocencio-x/</guid>

					<description><![CDATA[<p>Political history, Cultural history</p>
<p>The post <a href="https://historylab.es/inocencio-x/">Inocencio X</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Velázquez&#8217;s masterpiece, executed during his second trip to Rome. His fame led to his being commissioned to paint this portrait of the Pope, which, being so realistic, displeased the pontiff. It is interesting for understanding the artistic influences between Italy, Spain and Flanders, as well as the diplomacy and exchanges between the main European courts. Portraits such as this one have also left a lasting impression on artists of the 19th and 20th centuries (Impressionists, Picasso, Bacon)</p><p>The post <a href="https://historylab.es/inocencio-x/">Inocencio X</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The gypsy</title>
		<link>https://historylab.es/the-gypsy/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-gypsy</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Costumbrismo]]></category>
		<category><![CDATA[Escuela holandesa]]></category>
		<category><![CDATA[Hals]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/la-gitana/</guid>

					<description><![CDATA[<p>Social history</p>
<p>The post <a href="https://historylab.es/the-gypsy/">The gypsy</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Portrait by the Dutchman Frans Hals, who spent his career in Haarlem. She looks more like a courtesan than a gypsy. It reflects the Dutch taste for depicting popular types and domestic scenes</p><p>The post <a href="https://historylab.es/the-gypsy/">The gypsy</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<item>
		<title>The lousy</title>
		<link>https://historylab.es/the-lousy/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-lousy</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Murillo]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Pobreza]]></category>
		<category><![CDATA[Retrato]]></category>
		<category><![CDATA[Sevilla]]></category>
		<category><![CDATA[Tenebrismo]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/el-piojoso/</guid>

					<description><![CDATA[<p>Social history</p>
<p>The post <a href="https://historylab.es/the-lousy/">The lousy</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Portrait by Murillo, who, in addition to his great religious compositions, was famous for his popular figures from the streets of Seville. This miserable face of the Golden Age, treated with dramatic light and shade, fascinated 19th-century French Impressionist painters. It is a source, in turn, of the poverty of the cities and the roguish youngsters so often portrayed in literature.</p><p>The post <a href="https://historylab.es/the-lousy/">The lousy</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Young woman playing the virginal</title>
		<link>https://historylab.es/young-woman-playing-the-virginal/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=young-woman-playing-the-virginal</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Interior]]></category>
		<category><![CDATA[Luz]]></category>
		<category><![CDATA[Mujer]]></category>
		<category><![CDATA[Países Bajos]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<category><![CDATA[Vermeer]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/mujer-joven-tocando-el-virginal/</guid>

					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/young-woman-playing-the-virginal/">Young woman playing the virginal</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Johannes Vermeer was a Dutch painter of little known production. His works are generally small in size and intimate in atmosphere. He stands out for his mastery in the use of light and the realism in the details of these interiors (characters, furniture, clothing)</p><p>The post <a href="https://historylab.es/young-woman-playing-the-virginal/">Young woman playing the virginal</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<item>
		<title>The concert (The theft of the amulet)</title>
		<link>https://historylab.es/the-concert-the-theft-of-the-amulet/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-concert-the-theft-of-the-amulet</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Borghese]]></category>
		<category><![CDATA[Coleccionismo]]></category>
		<category><![CDATA[Música]]></category>
		<category><![CDATA[Notti]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Vanidad]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/el-concierto-el-robo-del-amuleto/</guid>

					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/the-concert-the-theft-of-the-amulet/">The concert (The theft of the amulet)</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>A work by Gherardo delle Notti (Gerrit van Honthorst), a Dutch Caravaggesque painter who specialised in nocturnal scenes. It is a scene of vanity, due to the fleetingness of time that is the pleasure of music. But it has a second reading, the theft of the singer&#8217;s amulet by the other three characters.</p><p>The post <a href="https://historylab.es/the-concert-the-theft-of-the-amulet/">The concert (The theft of the amulet)</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Endymion Porter and Anton van Dyck</title>
		<link>https://historylab.es/endymion-porter-and-anton-van-dyck/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=endymion-porter-and-anton-van-dyck</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:31:59 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Aristocracia]]></category>
		<category><![CDATA[Autorretrato]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Corte]]></category>
		<category><![CDATA[Porter]]></category>
		<category><![CDATA[Retrato]]></category>
		<category><![CDATA[Van Dyck]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/endymion-porter-y-anton-van-dyck/</guid>

					<description><![CDATA[<p>Power elites, social groups</p>
<p>The post <a href="https://historylab.es/endymion-porter-and-anton-van-dyck/">Endymion Porter and Anton van Dyck</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Self-portrait of the Flemish painter Anton van Dyck with the English aristocrat Endymion Porter, his friend and patron. It shows the social relevance of the court painter of Charles I of England, who portrayed himself on the same level and in the same work as his powerful friend.</p><p>The post <a href="https://historylab.es/endymion-porter-and-anton-van-dyck/">Endymion Porter and Anton van Dyck</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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