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	<title>Borghese - History Lab</title>
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	<title>Borghese - History Lab</title>
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		<title>Portrait of a gentleman</title>
		<link>https://historylab.es/portrait-of-a-gentleman/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=portrait-of-a-gentleman</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Borghese]]></category>
		<category><![CDATA[Coleccionismo]]></category>
		<category><![CDATA[Élite de Poder]]></category>
		<category><![CDATA[Lotto]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Renacimiento]]></category>
		<category><![CDATA[Retrato]]></category>
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					<description><![CDATA[<p>Power elites</p>
<p>The post <a href="https://historylab.es/portrait-of-a-gentleman/">Portrait of a gentleman</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Portrait of Mercurio Bua, Cypriot count, who was condotiero of the Republic of Venice. It is by Lorenzo Lotto, one of the most original artists of the Italian Renaissance, known for his portraits.</p><p>The post <a href="https://historylab.es/portrait-of-a-gentleman/">Portrait of a gentleman</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>The concert (The theft of the amulet)</title>
		<link>https://historylab.es/the-concert-the-theft-of-the-amulet/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-concert-the-theft-of-the-amulet</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Borghese]]></category>
		<category><![CDATA[Coleccionismo]]></category>
		<category><![CDATA[Música]]></category>
		<category><![CDATA[Notti]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Vanidad]]></category>
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					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/the-concert-the-theft-of-the-amulet/">The concert (The theft of the amulet)</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>A work by Gherardo delle Notti (Gerrit van Honthorst), a Dutch Caravaggesque painter who specialised in nocturnal scenes. It is a scene of vanity, due to the fleetingness of time that is the pleasure of music. But it has a second reading, the theft of the singer&#8217;s amulet by the other three characters.</p><p>The post <a href="https://historylab.es/the-concert-the-theft-of-the-amulet/">The concert (The theft of the amulet)</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Apollo and Daphne</title>
		<link>https://historylab.es/apollo-and-daphne/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=apollo-and-daphne</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:31:59 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Bernini]]></category>
		<category><![CDATA[Borghese]]></category>
		<category><![CDATA[Coleccionismo]]></category>
		<category><![CDATA[Escultura]]></category>
		<category><![CDATA[Mecenazgo]]></category>
		<category><![CDATA[Mitología]]></category>
		<category><![CDATA[roma]]></category>
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					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/apollo-and-daphne/">Apollo and Daphne</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Emblem of Baroque sculpture. A masterpiece by Bernini, representing one of the Metamorphoses narrated by Ovid. It reflects the taste of the papal court, in this case of Cardinal Scipione Borghese, for mythological themes, which connect with the humanist and refined training, concerned with the themes of Antiquity.</p><p>The post <a href="https://historylab.es/apollo-and-daphne/">Apollo and Daphne</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>David with the head of Goliath</title>
		<link>https://historylab.es/david-with-the-head-of-goliath/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=david-with-the-head-of-goliath</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:31:59 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Borghese]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[Mecenazgo]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[roma]]></category>
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					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/david-with-the-head-of-goliath/">David with the head of Goliath</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Painting by Caravaggio, depicting Tenebrist chiaroscuro. It is symbolic of the violence of realism of this Baroque painter, who was known for depicting lurid, especially violent, themes when dealing with religious subjects. Despite his polemical nature, he attracted a cultured and refined clientele, such as cardinals and princes. The Philistine&#8217;s Head appears to be a self-portrait of the artist</p><p>The post <a href="https://historylab.es/david-with-the-head-of-goliath/">David with the head of Goliath</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Dánae</title>
		<link>https://historylab.es/danae/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=danae</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:31:59 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Borghese]]></category>
		<category><![CDATA[Carlos V]]></category>
		<category><![CDATA[Correggio]]></category>
		<category><![CDATA[Gonzaga]]></category>
		<category><![CDATA[Manierismo]]></category>
		<category><![CDATA[Mitología]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Renacimiento]]></category>
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					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/danae/">Dánae</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Mythological painting showing how Venus gave in to one of her lovers, transforming herself into a shower of gold, in order to avoid imprisonment. It was commissioned by the Duke of Mantua, together with three other mythological works. The elevation of Mantua to a duchy led the Gonzaga to give them as a gift to the Emperor Charles V. Its author, Correggio, is one of the great references of Mannerism</p><p>The post <a href="https://historylab.es/danae/">Dánae</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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