Corte; Cortesanos; Familia Real; Carlos III; Madrid; Palacio Real; Museo del Prado; siglo XVIII; familia; áulico; espacio áulico - History Lab https://historylab.es Thu, 19 May 2022 15:12:55 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://historylab.es/wp-content/uploads/2021/06/cropped-icono-historylab-32x32.jpg Corte; Cortesanos; Familia Real; Carlos III; Madrid; Palacio Real; Museo del Prado; siglo XVIII; familia; áulico; espacio áulico - History Lab https://historylab.es 32 32 Charles III dining before his court https://historylab.es/charles-iii-dining-before-his-court/?utm_source=rss&utm_medium=rss&utm_campaign=charles-iii-dining-before-his-court Sat, 19 Feb 2022 16:31:03 +0000 https://historylab.es/2022/02/19/carlos-iii-comiendo-ante-su-corte/ Customs and daily life at the Court of Charles III

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]]> Paret’s work invites the viewer to a small rite that took place in the royal palace. The artist depicts the king as he is about to drink from the cup that his servant, bending his knee in submission, offers him. The sumptuous decoration includes tapestries with mythological themes such as The Sacrifice to Iphigenia, Mercury and Herse and Venus at the Forge of Vulcan. The scenes may have been chosen according to the ceremony taking place at the time or as an allusion to the king’s innermost thoughts. The depiction of a royal personage at table is not common. However, at the court of Charles III, the king’s meal was accompanied by a strict ceremonial that was described by many foreign travellers of the time. When this picture was painted, historical sources indicate that the antechamber was decorated with tapestries from the history of Joseph, not with mythological scenes. The ceiling, painted by Raphael Mengs with The Apotheosis of Hercules, had nothing to do with Paret’s imitation of Tiepolo’s style in the throne room.

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