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	<title>Costumbres populares; siglo XVII; Sevilla; Biblia; Marta; María; Marta y María; Velázquez; pintura; Nuevo Testamento; National Gallery; costumbre servil; siglo XVII - History Lab</title>
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	<title>Costumbres populares; siglo XVII; Sevilla; Biblia; Marta; María; Marta y María; Velázquez; pintura; Nuevo Testamento; National Gallery; costumbre servil; siglo XVII - History Lab</title>
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		<title>Christ in the house of Martha and Mary</title>
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		<pubDate>Sat, 19 Feb 2022 16:30:57 +0000</pubDate>
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		<category><![CDATA[Costumbres populares; siglo XVII; Sevilla; Biblia; Marta; María; Marta y María; Velázquez; pintura; Nuevo Testamento; National Gallery; costumbre servil; siglo XVII]]></category>
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					<description><![CDATA[<p>Depiction of servile customs extrapolated from the New Testament scenes</p>
<p>The post <a href="https://historylab.es/christ-in-the-house-of-martha-and-mary/">Christ in the house of Martha and Mary</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>A young maiden grinds some garlic along with other ingredients scattered on the table: fish, eggs, a chilli pepper and, possibly, inside the pottery, there is olive oil. An older woman at her side instructs her, scolding her for overwork or drawing her attention to the scene in the upper right-hand corner. This scene is taken from the New Testament (Luke 10:38-42). However, the main action of the composition is in the foreground and Velázquez used the biblical scene as an excuse to depict an everyday scene in 17th-century Spain.</p><p>The post <a href="https://historylab.es/christ-in-the-house-of-martha-and-mary/">Christ in the house of Martha and Mary</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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