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	<title>Durero - History Lab</title>
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		<title>Prado Museum. Studies and Restorations.</title>
		<link>https://historylab.es/prado-museum-studies-and-restorations/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=prado-museum-studies-and-restorations</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:33:59 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Bartolomé Bermejo]]></category>
		<category><![CDATA[Colección miniaturas Museo del Prado]]></category>
		<category><![CDATA[Durero]]></category>
		<category><![CDATA[Eduardo Barrón]]></category>
		<category><![CDATA[Escultura Española del XIX]]></category>
		<category><![CDATA[Estudios Museo del Prado]]></category>
		<category><![CDATA[Murillo]]></category>
		<category><![CDATA[Museo del Prado]]></category>
		<category><![CDATA[Museo Nacional del Prado]]></category>
		<category><![CDATA[Pedro de Campaña]]></category>
		<category><![CDATA[Pietro da Cortona]]></category>
		<category><![CDATA[Pintura Española Barroca]]></category>
		<category><![CDATA[Pintura Española del XIX]]></category>
		<category><![CDATA[Restauración]]></category>
		<category><![CDATA[Restauraciones Museo del Prado]]></category>
		<category><![CDATA[Rogier van der Weyden]]></category>
		<category><![CDATA[Rubens]]></category>
		<category><![CDATA[Siglo XIX]]></category>
		<category><![CDATA[Siglo XV]]></category>
		<category><![CDATA[Siglo XVI]]></category>
		<category><![CDATA[Siglo XVII]]></category>
		<category><![CDATA[Siglo XVIII]]></category>
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					<description><![CDATA[<p>History of studies and restorations of the Prado Museum (Madrid)</p>
<p>The post <a href="https://historylab.es/prado-museum-studies-and-restorations/">Prado Museum. Studies and Restorations.</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Among the studies and restorations carried out by the Prado Museum are the miniature collection of the art gallery, the Santo Domingo de Silos Altarpiece by Bartolomé Bermejo, the Two and the Third of May by Goya, The Purification of the Virgin by Pedro de Campaña, the Immaculate Conception of the Venerables by Murillo, The Nativity by Pietro da Cortona, Philip II on horseback by Rubens, Adam and Eve by Dürer and The Calvary by Rogier van der Weyden, among others.</p><p>The post <a href="https://historylab.es/prado-museum-studies-and-restorations/">Prado Museum. Studies and Restorations.</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Caen Museum of Fine Arts. Collections.</title>
		<link>https://historylab.es/caen-museum-of-fine-arts-collections/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=caen-museum-of-fine-arts-collections</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:33:52 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Bernad Mancel Caen]]></category>
		<category><![CDATA[Callot]]></category>
		<category><![CDATA[Castillo de Caen]]></category>
		<category><![CDATA[Champaigne]]></category>
		<category><![CDATA[Courbet]]></category>
		<category><![CDATA[Delacroix]]></category>
		<category><![CDATA[Durero]]></category>
		<category><![CDATA[Escuela de Barbizon]]></category>
		<category><![CDATA[Gabinete de Estampas]]></category>
		<category><![CDATA[Géricault]]></category>
		<category><![CDATA[Guercino]]></category>
		<category><![CDATA[Guillermo I de Inglaterra]]></category>
		<category><![CDATA[Luca Giordano]]></category>
		<category><![CDATA[Museo de Bellas Artes de Caen]]></category>
		<category><![CDATA[Paisajistas]]></category>
		<category><![CDATA[Perugino]]></category>
		<category><![CDATA[Pintura Siglo XIX]]></category>
		<category><![CDATA[Pintura siglo XVI]]></category>
		<category><![CDATA[Pintura Siglo XVII]]></category>
		<category><![CDATA[Piranesi]]></category>
		<category><![CDATA[Rembrandt]]></category>
		<category><![CDATA[Sadeler]]></category>
		<category><![CDATA[Siglo XIX]]></category>
		<category><![CDATA[Siglo XVI]]></category>
		<category><![CDATA[Siglo XVII]]></category>
		<category><![CDATA[Simon Vouet]]></category>
		<category><![CDATA[Tintoretto]]></category>
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					<description><![CDATA[<p>Online access to the collections of the Musée des Beaux-Arts de Caén (France)</p>
<p>The post <a href="https://historylab.es/caen-museum-of-fine-arts-collections/">Caen Museum of Fine Arts. Collections.</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>It is located in the Château de Caén, a building built on the orders of William I of England. Its collections of European painting from the 16th and 17th centuries make it one of the most important museums in France. Luca Giordano, Guercino, Perugino, Tintoretto, Champaigne, and Simon Vouet are all represented in this rare collection. The 19th century is notable for Courbet, Delacroix, Géricault and the Barbizon School. Its Cabinet of Prints brings together more than 50,000 engravings (Callot, Dürer, Rembrandt, Piranesi, Sadeler) from the private collection of Bernard Mancel Caen (1798-1872). The collections are displayed according to genres, techniques and periods.</p><p>The post <a href="https://historylab.es/caen-museum-of-fine-arts-collections/">Caen Museum of Fine Arts. Collections.</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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