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	<title>Juegos de pelota - History Lab</title>
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		<title>The game of ball</title>
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		<pubDate>Sat, 19 Feb 2022 16:30:26 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Costumbrismo]]></category>
		<category><![CDATA[Goya]]></category>
		<category><![CDATA[Juegos]]></category>
		<category><![CDATA[Juegos de pelota]]></category>
		<category><![CDATA[Majas]]></category>
		<category><![CDATA[Majismo]]></category>
		<category><![CDATA[Majos]]></category>
		<category><![CDATA[Pinturas]]></category>
		<category><![CDATA[Realidad social]]></category>
		<category><![CDATA[Siglo XVIII]]></category>
		<category><![CDATA[Tapices]]></category>
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					<description><![CDATA[<p>Historical amusement with a ball, possibly the predecessor of another game</p>
<p>The post <a href="https://historylab.es/the-game-of-ball/">The game of ball</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Goya emphasised on the cardboard delivery invoice the large number of figures included, each occupying his exact position in the game (forward, centre-half and fullback), together with twenty-five other figures of different ages and attitudes. Pelota games, of French origin, spread throughout Spain with great success in the Basque Country, where even then every village had its own fronton. Goya depicted the specific moment of the game, when the ball, on the ground, has reached the chaza, the place where the ball stops before it reaches the winning line. The resulting tapestry hung in the dining room of the princes of Asturias (the future Charles IV and Maria Luisa of Parma).</p><p>The post <a href="https://historylab.es/the-game-of-ball/">The game of ball</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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