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	<title>Pintura - History Lab</title>
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	<title>Pintura - History Lab</title>
	<link>https://historylab.es</link>
	<width>32</width>
	<height>32</height>
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	<item>
		<title>Francisco de Saavedra attributed to Goya</title>
		<link>https://historylab.es/francisco-de-saavedra-attributed-to-goya/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=francisco-de-saavedra-attributed-to-goya</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:25 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Carlos IV]]></category>
		<category><![CDATA[Colegio del Sacro Monte]]></category>
		<category><![CDATA[Francisco de Goya]]></category>
		<category><![CDATA[Francisco de Saavedra]]></category>
		<category><![CDATA[Granada]]></category>
		<category><![CDATA[Nobleza]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retratos]]></category>
		<category><![CDATA[Siglo XVIII]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/francisco-de-saavedra-atribuido-a-goya/</guid>

					<description><![CDATA[<p>Portrait of Francisco de Saavedra, attributed to Goya and painted at the end of the 18th century</p>
<p>The post <a href="https://historylab.es/francisco-de-saavedra-attributed-to-goya/">Francisco de Saavedra attributed to Goya</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Francisco de Saavedra was an enlightened Sevillian who, after dedicating his life to a military career, reached the Court as a minister of Charles IV during a serious social situation that he tried to resolve through some of the institutions in Granada that he had come to know during his academic training at the Colegio del Sacro Monte. This is precisely where the work attributed to Francisco de Goya is kept, as when Francisco de Saavedra was appointed Minister of Finance in 1797 he immediately informed the College, which was great news.<br />
So much so that on 12 December 1797 the rector himself ordered that he be congratulated and commissioned a painting to celebrate the appointment, to perpetuate his figure in order to motivate the rest of the students and as a source of propaganda for this Granada institution. It is a full-length representation of Saavedra, seated in a chair and dressed in the costume of a captain general.</p><p>The post <a href="https://historylab.es/francisco-de-saavedra-attributed-to-goya/">Francisco de Saavedra attributed to Goya</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<item>
		<title>Summer</title>
		<link>https://historylab.es/summer/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=summer</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Arcimboldo]]></category>
		<category><![CDATA[Bodegón]]></category>
		<category><![CDATA[estaciones]]></category>
		<category><![CDATA[Habsburgo]]></category>
		<category><![CDATA[Manierismo]]></category>
		<category><![CDATA[Pintor de cámara]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/verano/</guid>

					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/summer/">Summer</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Giuseppe Arcimboldo was a Lombard painter who worked at the Habsburg court in Vienna and Prague. His original portraits compose faces from fruit and objects, giving rise to cycles of the seasons</p><p>The post <a href="https://historylab.es/summer/">Summer</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Dánae, Titian</title>
		<link>https://historylab.es/danae-titian/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=danae-titian</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Dánae]]></category>
		<category><![CDATA[Felipe II]]></category>
		<category><![CDATA[Mitología]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Poesías]]></category>
		<category><![CDATA[Renacimiento]]></category>
		<category><![CDATA[Tiziano]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/danae-tiziano/</guid>

					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/danae-titian/">Dánae, Titian</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Titian executed the so-called Poesias, commissioned by Philip II. Several mythological scenes, with a deeply erotic content, which are now in various museums in Madrid, London, Edinburgh and Boston. The one in the Hermitage does not appear to be part of this cycle, but it is very similar, with other Danaes by Titian in London (Wellington Collection) and Naples (Museo di Capodimonte)</p><p>The post <a href="https://historylab.es/danae-titian/">Dánae, Titian</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Still life of hunt, vegetables and fruits</title>
		<link>https://historylab.es/still-life-of-hunt-vegetables-and-fruits/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=still-life-of-hunt-vegetables-and-fruits</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Bodegón]]></category>
		<category><![CDATA[Escuela española]]></category>
		<category><![CDATA[Naturaleza muerta]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Sánchez Cotán]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/bodegon-de-caza-hortaliza-y-frutas/</guid>

					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/still-life-of-hunt-vegetables-and-fruits/">Still life of hunt, vegetables and fruits</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Sánchez Cotán was a Carthusian monk from Toledo. He is famous for his highly realistic still lifes, which represent one of the summits of this pictorial genre, at a time when other Spanish artists also cultivated it (Zurbarán, Labrador, Yepes&#8230;)</p><p>The post <a href="https://historylab.es/still-life-of-hunt-vegetables-and-fruits/">Still life of hunt, vegetables and fruits</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Our Lady of the Venerable Agnesius</title>
		<link>https://historylab.es/our-lady-of-the-venerable-agnesius/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=our-lady-of-the-venerable-agnesius</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Juan de Juanes]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Renacimiento]]></category>
		<category><![CDATA[Sacra Conversazione]]></category>
		<category><![CDATA[Valencia]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/virgen-del-venerable-agnesio/</guid>

					<description><![CDATA[<p>History of mentalities</p>
<p>The post <a href="https://historylab.es/our-lady-of-the-venerable-agnesius/">Our Lady of the Venerable Agnesius</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Juan de Juanes, a major figure of the Valencian Renaissance, was noted for his religious scenes and portraits. In this work he combines both genres. The Venerable Agnesio places the ring on Saint Agnes, in a kind of Mystical Nuptials. The centre of the picture is occupied by the Virgin and Child, surrounded by the Infant Saint John the Baptist, angels, Saints Dorothea and Theophilus. In the background, in a magnificent landscape, we can make out the figure of St George on horseback, slaying the dragon. It is a kind of Italian Sacra Conversazione, full of symbolism and great attention to detail.</p><p>The post <a href="https://historylab.es/our-lady-of-the-venerable-agnesius/">Our Lady of the Venerable Agnesius</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<item>
		<title>Embrace of St. Francis of Assisi to the Crucified One</title>
		<link>https://historylab.es/embrace-of-st-francis-of-assisi-to-the-crucified-one/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=embrace-of-st-francis-of-assisi-to-the-crucified-one</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Catolicismo]]></category>
		<category><![CDATA[Contrarreforma]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Ribalta]]></category>
		<category><![CDATA[Valencia]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/abrazo-de-san-francisco-de-asis-al-crucificado/</guid>

					<description><![CDATA[<p>History of mentalities</p>
<p>The post <a href="https://historylab.es/embrace-of-st-francis-of-assisi-to-the-crucified-one/">Embrace of St. Francis of Assisi to the Crucified One</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Francisco Ribalta was one of the masters of the early Spanish Baroque. He was active in Valencia and was noted for his religious paintings of great mystical importance. This work is an altar painting from a disentailed Capuchin convent in Valencia. And how the exclaustrations led to the dispersion of works of art in public museums and private collections, shaped by the inheritance of the rich conventual legacy</p><p>The post <a href="https://historylab.es/embrace-of-st-francis-of-assisi-to-the-crucified-one/">Embrace of St. Francis of Assisi to the Crucified One</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>The Virgin and Child with the Infant Jesus and Saint John the Baptist Child, Zurbarán</title>
		<link>https://historylab.es/the-virgin-and-child-with-the-infant-jesus-and-saint-john-the-baptist-child-zurbaran/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-virgin-and-child-with-the-infant-jesus-and-saint-john-the-baptist-child-zurbaran</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Contrarreforma]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Zurbarán]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/la-virgen-con-el-nino-jesus-y-san-juan-bautista-nino-zurbaran/</guid>

					<description><![CDATA[<p>History of mentalities</p>
<p>The post <a href="https://historylab.es/the-virgin-and-child-with-the-infant-jesus-and-saint-john-the-baptist-child-zurbaran/">The Virgin and Child with the Infant Jesus and Saint John the Baptist Child, Zurbarán</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Zurbarán was one of the great painters of the Spanish Golden Age. He specialised in religious themes and monastic cycles. In this work he shows Mary and Jesus with Saint John in a domestic setting. His mastery in the use of colour and the folds of the drapery is outstanding</p><p>The post <a href="https://historylab.es/the-virgin-and-child-with-the-infant-jesus-and-saint-john-the-baptist-child-zurbaran/">The Virgin and Child with the Infant Jesus and Saint John the Baptist Child, Zurbarán</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Young woman playing the virginal</title>
		<link>https://historylab.es/young-woman-playing-the-virginal/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=young-woman-playing-the-virginal</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Interior]]></category>
		<category><![CDATA[Luz]]></category>
		<category><![CDATA[Mujer]]></category>
		<category><![CDATA[Países Bajos]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<category><![CDATA[Vermeer]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/mujer-joven-tocando-el-virginal/</guid>

					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/young-woman-playing-the-virginal/">Young woman playing the virginal</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Johannes Vermeer was a Dutch painter of little known production. His works are generally small in size and intimate in atmosphere. He stands out for his mastery in the use of light and the realism in the details of these interiors (characters, furniture, clothing)</p><p>The post <a href="https://historylab.es/young-woman-playing-the-virginal/">Young woman playing the virginal</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Portrait of a gentleman</title>
		<link>https://historylab.es/portrait-of-a-gentleman/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=portrait-of-a-gentleman</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Borghese]]></category>
		<category><![CDATA[Coleccionismo]]></category>
		<category><![CDATA[Élite de Poder]]></category>
		<category><![CDATA[Lotto]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Renacimiento]]></category>
		<category><![CDATA[Retrato]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/retrato-de-gentilhombre/</guid>

					<description><![CDATA[<p>Power elites</p>
<p>The post <a href="https://historylab.es/portrait-of-a-gentleman/">Portrait of a gentleman</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Portrait of Mercurio Bua, Cypriot count, who was condotiero of the Republic of Venice. It is by Lorenzo Lotto, one of the most original artists of the Italian Renaissance, known for his portraits.</p><p>The post <a href="https://historylab.es/portrait-of-a-gentleman/">Portrait of a gentleman</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>The concert (The theft of the amulet)</title>
		<link>https://historylab.es/the-concert-the-theft-of-the-amulet/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-concert-the-theft-of-the-amulet</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Borghese]]></category>
		<category><![CDATA[Coleccionismo]]></category>
		<category><![CDATA[Música]]></category>
		<category><![CDATA[Notti]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Vanidad]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/el-concierto-el-robo-del-amuleto/</guid>

					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/the-concert-the-theft-of-the-amulet/">The concert (The theft of the amulet)</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>A work by Gherardo delle Notti (Gerrit van Honthorst), a Dutch Caravaggesque painter who specialised in nocturnal scenes. It is a scene of vanity, due to the fleetingness of time that is the pleasure of music. But it has a second reading, the theft of the singer&#8217;s amulet by the other three characters.</p><p>The post <a href="https://historylab.es/the-concert-the-theft-of-the-amulet/">The concert (The theft of the amulet)</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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