Pueblo gitano - History Lab

The gypsies on the move: the rearguard

ad_hlab_min — Sat, 19 Feb 2022 16:31:21 +0000

The series of four etchings by Jacques Callot (1592-1635) stands out in the iconography of the wandering life of the gypsies. It is known as Les Bohémiens and was published between 1621 and 1625. The first print is entitled The Gypsies on the March: The Rearguard, and offers a warlike vision of the male Gypsies. This is not the skilled gypsy who works with metal or the shaman who deals with animals, but the fully armed professional warrior who offers himself as a mercenary. They wear jackets, high soft boots and wide-brimmed hats with feathers. Like so many of them, he travels with his family, duly accommodated in a wagon with spoked wheels that largely solved their housing problem. They carried blankets, rugs, barrels, clothes and other kitchen utensils. The image is also a reminder that the Gypsy people are actually made up of many different tribal-like groups that can properly be considered as clans. The leadership they know almost always refers to an older person who is usually, but not always, a man. This picture shows three generations of gypsies, the most comfortable place being for the elders. An old man with no military attributes, perhaps the patriarch, drives the cart mounted on a penco. The oldest woman rides in the carriage while the others are divided up: some on old nags, others on donkeys and the rest, even if they are pregnant, walk. Some of the women are covered with striped cloaks and all are barefoot, surrounded and embraced by countless children on their backs, on their laps or on their chests. The little ones carry animals in their arms, have learned to walk barefoot and are busy playing, either with their father’s hat or some utensil on their heads. The couplet that can be read at the top of the engraving limits itself to saying indulgently what they are, poor beggars, and to making a sceptical statement about what is expected of them, future promises, good fortune: “These poor beggars laden with good fortune/bring nothing but future things”.

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Gypsy wedding feast

ad_hlab_min — Sat, 19 Feb 2022 16:31:21 +0000

In this work by Alessandro Magnasco (1667-1749) we see a gypsy celebration with a chaotic appearance: the characters eat and drink without moderation and what falls to the ground is devoured by dogs. There is no lack of music at this joyous gathering, played on harp and lute. This, along with dancing, has been one of the occupations of the gypsy people. Some of the most truthful testimonies date back to the end of the 15th century, and are recorded in the account register of Queen Beatriz de Aragón y Chiaromonte, which reflects the payment to several gypsy musicians in exchange for playing for her. In Spain, Gypsies participated with their dances in important local festivities, such as Corpus Christi, or in trade fairs and festivals in honour of patron saints. In addition to the lute, the Gypsy has always been associated with another instrument, the violin. Numerous legends attribute the creation of this instrument to the Gypsies, and the French gypsyologist Clébert’s account is particularly striking: the first violin was made by a Gypsy with hair given to him by the fairy queen Mautya, protector of the poor.

The post Gypsy wedding feast first appeared on History Lab.

Gypsies in front of the city of Bern

ad_hlab_min — Sat, 19 Feb 2022 16:31:21 +0000

Although the Gypsy culture has been and still is largely ungrammatical, the linguistic influences to which the Gypsies were exposed have made it possible to trace their origins to India, specifically to the north, in the Punjab region. Settled in tents on the outskirts of villages, it is quite likely that they were engaged in the manufacture of baskets and iron tools, as members of a lower caste. Although the dates of their departure from India remain unclear today, an early reference to their exodus is found in the testimony of the Persian poet Firdusi (11th century), who said that the Gypsies would have arrived in Persia in the 5th century to serve the Sassanid king Bahram Gur as dancers and musicians. In any case, they must have remained in Persian territory long enough for Semitic elements to be incorporated into their language. Around 750, when Persia was under Arab domination, the Gypsy people split into two distinct groups and headed for Syria and Armenia, where they settled long enough to adopt Armenian words. Attacks by Byzantine soldiers in the 11th century caused them to look for a new location, this time in Byzantine Greece. At the dawn of the 12th century they were taken to be descendants of Simon Magus – a Samaritan race associated with witchcraft and animal poisoning; in the 13th century they were taken to be soothsayers and snake charmers; and during the 14th century they were assimilated with the descendants of Cain, son of Noah, who were characteristically very dark-skinned. Before the end of this century, the Gypsies had already reached the Balkans. The Turkish invasion brought them into Western Europe from 1417 onwards, and they expanded rapidly. In 1485 they reached the city of Bern in Switzerland and stayed at the city gates, as recorded in Diebold Schilling’s Spiezer Chronik. In the picture the Gypsies form a compact group, characterised by their tanned skin and brightly coloured clothing in shades of blue, green, red and yellow. The men, in the foreground, cover their heads with pointed hats, while the women, with children in their arms or attached to their cloaks, wear turbans.

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