<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Restauración - History Lab</title>
	<atom:link href="https://historylab.es/tag/restauracion/feed/" rel="self" type="application/rss+xml" />
	<link>https://historylab.es</link>
	<description></description>
	<lastBuildDate>Wed, 18 May 2022 10:53:23 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0</generator>

<image>
	<url>https://historylab.es/wp-content/uploads/2021/06/cropped-icono-historylab-32x32.jpg</url>
	<title>Restauración - History Lab</title>
	<link>https://historylab.es</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Prado Museum. Studies and Restorations.</title>
		<link>https://historylab.es/prado-museum-studies-and-restorations/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=prado-museum-studies-and-restorations</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:33:59 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Bartolomé Bermejo]]></category>
		<category><![CDATA[Colección miniaturas Museo del Prado]]></category>
		<category><![CDATA[Durero]]></category>
		<category><![CDATA[Eduardo Barrón]]></category>
		<category><![CDATA[Escultura Española del XIX]]></category>
		<category><![CDATA[Estudios Museo del Prado]]></category>
		<category><![CDATA[Murillo]]></category>
		<category><![CDATA[Museo del Prado]]></category>
		<category><![CDATA[Museo Nacional del Prado]]></category>
		<category><![CDATA[Pedro de Campaña]]></category>
		<category><![CDATA[Pietro da Cortona]]></category>
		<category><![CDATA[Pintura Española Barroca]]></category>
		<category><![CDATA[Pintura Española del XIX]]></category>
		<category><![CDATA[Restauración]]></category>
		<category><![CDATA[Restauraciones Museo del Prado]]></category>
		<category><![CDATA[Rogier van der Weyden]]></category>
		<category><![CDATA[Rubens]]></category>
		<category><![CDATA[Siglo XIX]]></category>
		<category><![CDATA[Siglo XV]]></category>
		<category><![CDATA[Siglo XVI]]></category>
		<category><![CDATA[Siglo XVII]]></category>
		<category><![CDATA[Siglo XVIII]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/museo-del-prado-estudios-y-restauraciones/</guid>

					<description><![CDATA[<p>History of studies and restorations of the Prado Museum (Madrid)</p>
<p>The post <a href="https://historylab.es/prado-museum-studies-and-restorations/">Prado Museum. Studies and Restorations.</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Among the studies and restorations carried out by the Prado Museum are the miniature collection of the art gallery, the Santo Domingo de Silos Altarpiece by Bartolomé Bermejo, the Two and the Third of May by Goya, The Purification of the Virgin by Pedro de Campaña, the Immaculate Conception of the Venerables by Murillo, The Nativity by Pietro da Cortona, Philip II on horseback by Rubens, Adam and Eve by Dürer and The Calvary by Rogier van der Weyden, among others.</p><p>The post <a href="https://historylab.es/prado-museum-studies-and-restorations/">Prado Museum. Studies and Restorations.</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Thyssen-Bornemisza Museum. Restoration. Technical studies and research.</title>
		<link>https://historylab.es/thyssen-bornemisza-museum-restoration-technical-studies-and-research/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=thyssen-bornemisza-museum-restoration-technical-studies-and-research</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:33:46 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[Ghirlandaio]]></category>
		<category><![CDATA[Museo Nacional Thyssen-Bornemisza]]></category>
		<category><![CDATA[Museo Thyssen-Bornemisza]]></category>
		<category><![CDATA[Picasso]]></category>
		<category><![CDATA[Restauración]]></category>
		<category><![CDATA[Siglo XV]]></category>
		<category><![CDATA[Siglo XVI]]></category>
		<category><![CDATA[Siglo XVII]]></category>
		<category><![CDATA[Siglo XX]]></category>
		<category><![CDATA[Tintoretto]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/museo-thyssen-bornemisza-restauracion-estudios-tecnicos-e-investigacion/</guid>

					<description><![CDATA[<p>History of technical studies and restorations of the Thyssen-Bornemisza Museum (Madrid)</p>
<p>The post <a href="https://historylab.es/thyssen-bornemisza-museum-restoration-technical-studies-and-research/">Thyssen-Bornemisza Museum. Restoration. Technical studies and research.</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Amongst the Thyssen-Bornemisza Museum&#8217;s historical studies and restorations are the works carried out on Ghirlandaio&#8217;s Portrait of Giovanna Tornabuoni, Tintoretto&#8217;s Paradise, Caravaggio&#8217;s Saint Catherine of Alexandria and Picasso&#8217;s Harlequin with a Mirror.</p><p>The post <a href="https://historylab.es/thyssen-bornemisza-museum-restoration-technical-studies-and-research/">Thyssen-Bornemisza Museum. Restoration. Technical studies and research.</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
