<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Retrato - History Lab</title>
	<atom:link href="https://historylab.es/tag/retrato-2/feed/" rel="self" type="application/rss+xml" />
	<link>https://historylab.es</link>
	<description></description>
	<lastBuildDate>Wed, 18 May 2022 15:21:59 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://historylab.es/wp-content/uploads/2021/06/cropped-icono-historylab-32x32.jpg</url>
	<title>Retrato - History Lab</title>
	<link>https://historylab.es</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Summer</title>
		<link>https://historylab.es/summer/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=summer</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Arcimboldo]]></category>
		<category><![CDATA[Bodegón]]></category>
		<category><![CDATA[estaciones]]></category>
		<category><![CDATA[Habsburgo]]></category>
		<category><![CDATA[Manierismo]]></category>
		<category><![CDATA[Pintor de cámara]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/verano/</guid>

					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/summer/">Summer</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Giuseppe Arcimboldo was a Lombard painter who worked at the Habsburg court in Vienna and Prague. His original portraits compose faces from fruit and objects, giving rise to cycles of the seasons</p><p>The post <a href="https://historylab.es/summer/">Summer</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Young woman playing the virginal</title>
		<link>https://historylab.es/young-woman-playing-the-virginal/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=young-woman-playing-the-virginal</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Interior]]></category>
		<category><![CDATA[Luz]]></category>
		<category><![CDATA[Mujer]]></category>
		<category><![CDATA[Países Bajos]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<category><![CDATA[Vermeer]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/mujer-joven-tocando-el-virginal/</guid>

					<description><![CDATA[<p>Cultural history</p>
<p>The post <a href="https://historylab.es/young-woman-playing-the-virginal/">Young woman playing the virginal</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Johannes Vermeer was a Dutch painter of little known production. His works are generally small in size and intimate in atmosphere. He stands out for his mastery in the use of light and the realism in the details of these interiors (characters, furniture, clothing)</p><p>The post <a href="https://historylab.es/young-woman-playing-the-virginal/">Young woman playing the virginal</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Portrait of a gentleman</title>
		<link>https://historylab.es/portrait-of-a-gentleman/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=portrait-of-a-gentleman</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Borghese]]></category>
		<category><![CDATA[Coleccionismo]]></category>
		<category><![CDATA[Élite de Poder]]></category>
		<category><![CDATA[Lotto]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Renacimiento]]></category>
		<category><![CDATA[Retrato]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/retrato-de-gentilhombre/</guid>

					<description><![CDATA[<p>Power elites</p>
<p>The post <a href="https://historylab.es/portrait-of-a-gentleman/">Portrait of a gentleman</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Portrait of Mercurio Bua, Cypriot count, who was condotiero of the Republic of Venice. It is by Lorenzo Lotto, one of the most original artists of the Italian Renaissance, known for his portraits.</p><p>The post <a href="https://historylab.es/portrait-of-a-gentleman/">Portrait of a gentleman</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Inocencio X</title>
		<link>https://historylab.es/inocencio-x/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=inocencio-x</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Papa]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<category><![CDATA[roma]]></category>
		<category><![CDATA[Velázquez]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/inocencio-x/</guid>

					<description><![CDATA[<p>Political history, Cultural history</p>
<p>The post <a href="https://historylab.es/inocencio-x/">Inocencio X</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Velázquez&#8217;s masterpiece, executed during his second trip to Rome. His fame led to his being commissioned to paint this portrait of the Pope, which, being so realistic, displeased the pontiff. It is interesting for understanding the artistic influences between Italy, Spain and Flanders, as well as the diplomacy and exchanges between the main European courts. Portraits such as this one have also left a lasting impression on artists of the 19th and 20th centuries (Impressionists, Picasso, Bacon)</p><p>The post <a href="https://historylab.es/inocencio-x/">Inocencio X</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The Dukes of Urbino, Federico de Montefeltro and Battista Sforza</title>
		<link>https://historylab.es/the-dukes-of-urbino-federico-de-montefeltro-and-battista-sforza/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-dukes-of-urbino-federico-de-montefeltro-and-battista-sforza</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Montefeltro]]></category>
		<category><![CDATA[Piero della Francesca]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Renacimiento]]></category>
		<category><![CDATA[Retrato]]></category>
		<category><![CDATA[Sforza]]></category>
		<category><![CDATA[Urbino]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/los-duques-de-urbino-federico-de-montefeltro-y-battista-sforza/</guid>

					<description><![CDATA[<p>Political history</p>
<p>The post <a href="https://historylab.es/the-dukes-of-urbino-federico-de-montefeltro-and-battista-sforza/">The Dukes of Urbino, Federico de Montefeltro and Battista Sforza</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Painting by Piero della Francesca, one of the most important artists of the Quattrocento. It depicts a double portrait of the Dukes of Urbino, thus the dynastic union between the Montefeltro and Sforza (Milanese) families, two of the most important princely dynasties of Renaissance Italy. Its small size suggests that it was intended for private use</p><p>The post <a href="https://historylab.es/the-dukes-of-urbino-federico-de-montefeltro-and-battista-sforza/">The Dukes of Urbino, Federico de Montefeltro and Battista Sforza</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Eleanor of Toledo with her son Juan de Medici</title>
		<link>https://historylab.es/eleanor-of-toledo-with-her-son-juan-de-medici/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=eleanor-of-toledo-with-her-son-juan-de-medici</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Bronzino]]></category>
		<category><![CDATA[florencia]]></category>
		<category><![CDATA[Manierismo]]></category>
		<category><![CDATA[medici]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<category><![CDATA[Toledo]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/leonor-de-toledo-con-su-hijo-juan-de-medici/</guid>

					<description><![CDATA[<p>Political history</p>
<p>The post <a href="https://historylab.es/eleanor-of-toledo-with-her-son-juan-de-medici/">Eleanor of Toledo with her son Juan de Medici</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Portrait by Bronzino, court painter to Cosimo I de Medici and representative of Mannerism. The Duke&#8217;s wife and one of his sons are depicted in rich clothes. She was the daughter of the Viceroy of Naples Pedro de Toledo, Marquis of Villafranca. Their marriage sealed the Florentine alliance with the Spanish Monarchy</p><p>The post <a href="https://historylab.es/eleanor-of-toledo-with-her-son-juan-de-medici/">Eleanor of Toledo with her son Juan de Medici</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Gabriel de la Cueva, Duke of Alburquerque</title>
		<link>https://historylab.es/gabriel-de-la-cueva-duke-of-alburquerque/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gabriel-de-la-cueva-duke-of-alburquerque</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alburquerque]]></category>
		<category><![CDATA[Aristocracia]]></category>
		<category><![CDATA[Moroni]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Renacimiento]]></category>
		<category><![CDATA[Retrato]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/gabriel-de-la-cueva-duque-de-alburquerque/</guid>

					<description><![CDATA[<p>Political history, power elites</p>
<p>The post <a href="https://historylab.es/gabriel-de-la-cueva-duke-of-alburquerque/">Gabriel de la Cueva, Duke of Alburquerque</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Portrait of the Spanish aristocrat who was governor of Milan and viceroy of Navarre. Moroni was one of the great portraitists of the Renaissance, working in northern Italy and painting mainly members of the gentry and nobility rather than sovereigns or princes. The duke leans on a stone with the following inscription: Here this without fear and of death I have not dreaded</p><p>The post <a href="https://historylab.es/gabriel-de-la-cueva-duke-of-alburquerque/">Gabriel de la Cueva, Duke of Alburquerque</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The gypsy</title>
		<link>https://historylab.es/the-gypsy/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-gypsy</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Costumbrismo]]></category>
		<category><![CDATA[Escuela holandesa]]></category>
		<category><![CDATA[Hals]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/la-gitana/</guid>

					<description><![CDATA[<p>Social history</p>
<p>The post <a href="https://historylab.es/the-gypsy/">The gypsy</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Portrait by the Dutchman Frans Hals, who spent his career in Haarlem. She looks more like a courtesan than a gypsy. It reflects the Dutch taste for depicting popular types and domestic scenes</p><p>The post <a href="https://historylab.es/the-gypsy/">The gypsy</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The lousy</title>
		<link>https://historylab.es/the-lousy/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-lousy</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Murillo]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Pobreza]]></category>
		<category><![CDATA[Retrato]]></category>
		<category><![CDATA[Sevilla]]></category>
		<category><![CDATA[Tenebrismo]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/el-piojoso/</guid>

					<description><![CDATA[<p>Social history</p>
<p>The post <a href="https://historylab.es/the-lousy/">The lousy</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Portrait by Murillo, who, in addition to his great religious compositions, was famous for his popular figures from the streets of Seville. This miserable face of the Golden Age, treated with dramatic light and shade, fascinated 19th-century French Impressionist painters. It is a source, in turn, of the poverty of the cities and the roguish youngsters so often portrayed in literature.</p><p>The post <a href="https://historylab.es/the-lousy/">The lousy</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Fray Hortensio Félix Paravicino</title>
		<link>https://historylab.es/fray-hortensio-felix-paravicino/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=fray-hortensio-felix-paravicino</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:03 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Arte fuera de España]]></category>
		<category><![CDATA[El Greco]]></category>
		<category><![CDATA[Fraile]]></category>
		<category><![CDATA[Manierismo]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/fray-hortensio-felix-paravicino/</guid>

					<description><![CDATA[<p>Power elites</p>
<p>The post <a href="https://historylab.es/fray-hortensio-felix-paravicino/">Fray Hortensio Félix Paravicino</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Seated portrait by El Greco showing a Trinitarian friar wearing shoes, well known for his intellectual gifts. This is reflected in the books he holds. It is an example of the sales of Spanish art made at the beginning of the 20th century, destined for North American collections.</p><p>The post <a href="https://historylab.es/fray-hortensio-felix-paravicino/">Fray Hortensio Félix Paravicino</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
