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	<title>Ribalta - History Lab</title>
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		<title>Embrace of St. Francis of Assisi to the Crucified One</title>
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		<pubDate>Sat, 19 Feb 2022 16:32:12 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Catolicismo]]></category>
		<category><![CDATA[Contrarreforma]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Ribalta]]></category>
		<category><![CDATA[Valencia]]></category>
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					<description><![CDATA[<p>History of mentalities</p>
<p>The post <a href="https://historylab.es/embrace-of-st-francis-of-assisi-to-the-crucified-one/">Embrace of St. Francis of Assisi to the Crucified One</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Francisco Ribalta was one of the masters of the early Spanish Baroque. He was active in Valencia and was noted for his religious paintings of great mystical importance. This work is an altar painting from a disentailed Capuchin convent in Valencia. And how the exclaustrations led to the dispersion of works of art in public museums and private collections, shaped by the inheritance of the rich conventual legacy</p><p>The post <a href="https://historylab.es/embrace-of-st-francis-of-assisi-to-the-crucified-one/">Embrace of St. Francis of Assisi to the Crucified One</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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