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	<title>Rubens - History Lab</title>
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		<title>Equestrian portrait of the Duke of Lerma</title>
		<link>https://historylab.es/equestrian-portrait-of-the-duke-of-lerma/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=equestrian-portrait-of-the-duke-of-lerma</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:31:53 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Felipe III]]></category>
		<category><![CDATA[Lerma]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Retrato ecuestre]]></category>
		<category><![CDATA[Rubens]]></category>
		<category><![CDATA[Valido]]></category>
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					<description><![CDATA[<p>Power elites</p>
<p>The post <a href="https://historylab.es/equestrian-portrait-of-the-duke-of-lerma/">Equestrian portrait of the Duke of Lerma</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Portrait by Rubens, the first equestrian portrait of a non-royal figure. Philip III&#8217;s valide appears as a statesman and warrior at the height of his powers, ready to defend the reputation of the Spanish Monarchy. It is a key portrait for understanding the pre-eminence of the court aristocracy during the Habsburg period. These equestrian portraits derive from Roman bronze statuary dedicated to emperors, which was taken up again in the Renaissance to pay homage to princes and condottieros.</p><p>The post <a href="https://historylab.es/equestrian-portrait-of-the-duke-of-lerma/">Equestrian portrait of the Duke of Lerma</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Commented work: The Three Graces, by Rubens</title>
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		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:28:16 +0000</pubDate>
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		<category><![CDATA[Arte]]></category>
		<category><![CDATA[Barroco]]></category>
		<category><![CDATA[Museo del Prado]]></category>
		<category><![CDATA[Pintura]]></category>
		<category><![CDATA[Rubens]]></category>
		<category><![CDATA[Siglo XVII]]></category>
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					<description><![CDATA[<p>Educational video commenting on Pedro Pablo Rubens' work "The Three Graces"</p>
<p>The post <a href="https://historylab.es/commented-work-the-three-graces-by-rubens/">Commented work: The Three Graces, by Rubens</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Within the collection of videos created by the Prado Museum &#8220;Audioguías infatiles Museo del Prado&#8221; there is a collection of videos explained for children of different works of the museum. On this occasion, the work commented on is the painting &#8220;The Three Graces&#8221; by Pedro Pablo Rubens. During the 1.34 minutes of the video, the animated representation of the Infanta Margarita from her portrait of Las Meninas by Velázquez explains the most relevant aspects of the work and its historical context.</p><p>The post <a href="https://historylab.es/commented-work-the-three-graces-by-rubens/">Commented work: The Three Graces, by Rubens</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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