Representation of social recreation reflected through the majos painted by Goya
Representation of social recreation reflected through the majos painted by Goya
Goya’s playful depiction of 18th century society
Representation of social reality through the recreation of an episode of conflict between muleteers and rickshaw pullers
Daily scene of three people chopping firewood, portrayed by Goya
A playful scene of two majos represented by Goya
Representation of a masked ball held, probably, at the Teatro del Príncipe in Madrid, painted by Luis Paret and Alcázar around 1767.
Image representative of the greatness of Spain and its monarchy.
Representation of cochineal cultivation and production. The image shows a picture of a cultivated cactus, where the mealybug has swarmed well.
The image depicts the plan and section of a ship engaged in the black slave trade. The document is written in English and published in London.
The image depicts shares in the Real Compañía de San Fernando de Sevilla, in favour of Pedro de Astrearena, a resident of Madrid, worth 250 pesos each.