Hunting scene painted by Goya as an example of the social reality of the 18th century
Hunting scene painted by Goya as an example of the social reality of the 18th century
Representation of social recreation reflected through the majos painted by Goya
Goya’s playful depiction of 18th century society
Representation of social reality through the recreation of an episode of conflict between muleteers and rickshaw pullers
Daily scene of three people chopping firewood, portrayed by Goya
The image depicts shares in the Real Compañía de San Fernando de Sevilla, in favour of Pedro de Astrearena, a resident of Madrid, worth 250 pesos each.
Fashion in Spain and the new French clothing adopted with the chupa and the jacket as fundamental pieces
Costumbrismo and social reality around begging in the 18th century, represented by Sasso
Representation of local customs through 18th century hunting scenes
Imafronte of the Cathedral of Murcia, built between 1737 and 1751 under the guidelines of Jaime Bort