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	<title>Teatro - History Lab</title>
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	<title>Teatro - History Lab</title>
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		<title>Letter of Lope de Vega Carpio</title>
		<link>https://historylab.es/letter-of-lope-de-vega-carpio/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=letter-of-lope-de-vega-carpio</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:33:04 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[1562-1635]]></category>
		<category><![CDATA[Autógrafo]]></category>
		<category><![CDATA[cartas]]></category>
		<category><![CDATA[Dramaturgo]]></category>
		<category><![CDATA[Fénix de los ingenios]]></category>
		<category><![CDATA[Franisco de Quevedo]]></category>
		<category><![CDATA[Literato]]></category>
		<category><![CDATA[Lope de Vega Carpio]]></category>
		<category><![CDATA[Miguel de Cervantes Saavedra]]></category>
		<category><![CDATA[Monstruo de Naturaleza]]></category>
		<category><![CDATA[Pedro Calderón de la Barca o Luis de Góngora]]></category>
		<category><![CDATA[poemas]]></category>
		<category><![CDATA[Poeta]]></category>
		<category><![CDATA[Siglo de Oro]]></category>
		<category><![CDATA[Siglo XVII]]></category>
		<category><![CDATA[Teatro]]></category>
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					<description><![CDATA[<p>Autograph of Lope de Vega Carpio</p>
<p>The post <a href="https://historylab.es/letter-of-lope-de-vega-carpio/">Letter of Lope de Vega Carpio</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>In the 17th century, in the face of the general situation of crisis, the field of literature experienced a brilliant period. Its main features can be defined as national exaltation, popular character and defence of traditions. Among the different disciplines, the theatre and the picaresque novel stood out. Cervantes, together with Lope de Vega, Quevedo, Calderón and Góngora were some of the main figures of the period.</p><p>The post <a href="https://historylab.es/letter-of-lope-de-vega-carpio/">Letter of Lope de Vega Carpio</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Proofs for the granting of the Title of Knight of the Order of Santiago to Pedro Calderón de la Barca and González de Henao</title>
		<link>https://historylab.es/proofs-for-the-granting-of-the-title-of-knight-of-the-order-of-santiago-to-pedro-calderon-de-la-barca-and-gonzalez-de-henao/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=proofs-for-the-granting-of-the-title-of-knight-of-the-order-of-santiago-to-pedro-calderon-de-la-barca-and-gonzalez-de-henao</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:33:04 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[1600-1681]]></category>
		<category><![CDATA[Caballero de la Orden de Santiago]]></category>
		<category><![CDATA[El alcalde de Zalamea]]></category>
		<category><![CDATA[Escritor]]></category>
		<category><![CDATA[Honores]]></category>
		<category><![CDATA[Literato]]></category>
		<category><![CDATA[Literatura]]></category>
		<category><![CDATA[Pedro Calderón de la Barca]]></category>
		<category><![CDATA[Siglo de Oro]]></category>
		<category><![CDATA[Siglo XVII]]></category>
		<category><![CDATA[Teatro]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/pruebas-para-la-concesion-del-titulo-de-caballero-de-la-orden-de-santiago-de-pedro-calderon-de-la-barca-y-gonzalez-de-henao/</guid>

					<description><![CDATA[<p>File containing the evidence for the granting of the title of Knight of the Order of Santiago to Pedro Calderón de la Barca and González de Henao</p>
<p>The post <a href="https://historylab.es/proofs-for-the-granting-of-the-title-of-knight-of-the-order-of-santiago-to-pedro-calderon-de-la-barca-and-gonzalez-de-henao/">Proofs for the granting of the Title of Knight of the Order of Santiago to Pedro Calderón de la Barca and González de Henao</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Evidence presented to the Council of Orders by Pedro Calderón de la Barca y González de Henao, a well-known author of the Spanish Golden Age, for the granting of the title of Knight of the Order of Santiago</p><p>The post <a href="https://historylab.es/proofs-for-the-granting-of-the-title-of-knight-of-the-order-of-santiago-to-pedro-calderon-de-la-barca-and-gonzalez-de-henao/">Proofs for the granting of the Title of Knight of the Order of Santiago to Pedro Calderón de la Barca and González de Henao</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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		<title>Comedy barn</title>
		<link>https://historylab.es/comedy-barn/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=comedy-barn</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:30:26 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Comedias]]></category>
		<category><![CDATA[Corral de comedias]]></category>
		<category><![CDATA[Obras]]></category>
		<category><![CDATA[Reales Alcázares de Sevilla]]></category>
		<category><![CDATA[Representaciones teatrales]]></category>
		<category><![CDATA[Sevilla]]></category>
		<category><![CDATA[Siglo de Oro]]></category>
		<category><![CDATA[Siglo XVI]]></category>
		<category><![CDATA[Siglo XVII]]></category>
		<category><![CDATA[Teatro]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/corral-de-comedias/</guid>

					<description><![CDATA[<p>Everyday life. Elevation and floor plan of the corral of La Montería, located in the Real Alcázar of Seville, where comedies were performed.</p>
<p>The post <a href="https://historylab.es/comedy-barn/">Comedy barn</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>During the 16th and 17th centuries, the corral de comedias was a model of public theatre permanently installed in the open air in the courtyards and interior corrals that separated the neighbourhood buildings of the large cities. These were the spaces where the plays of the Golden Age by authors such as Lope de Vega, Tirso de Molina and Calderón de la Barca were performed. In these places, both the humble classes and the kings, nobles and prelates enjoyed theatre in its comedies format, who were able to attend and enjoy the three genres that comedies encompassed: tragedy, drama and comedy. The Corral de la Montería was a playhouse that began to be built in the Alcázar of Seville in 1625, commissioned by Philip IV, who wanted to be able to watch theatrical performances from a room of his own. The work was completed in 1626 and had an oval floor plan. Its walls were made of brick and wooden pillars, the seats and roofs were made of pine and it had iron balconies. The social and economic crisis of the second half of the 17th century prompted the city council, in 1679, to ask the Crown to prohibit theatrical performances in this place, as a gesture of Christian piety. After this, the corral was no longer used for theatrical purposes.</p><p>The post <a href="https://historylab.es/comedy-barn/">Comedy barn</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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