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	<title>Trabajo; oficios; historia del trabajo; pintura; artes mecánicas; anónimo; Museo del Prado; cantor; música; cantar; siglo XVII - History Lab</title>
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	<title>Trabajo; oficios; historia del trabajo; pintura; artes mecánicas; anónimo; Museo del Prado; cantor; música; cantar; siglo XVII - History Lab</title>
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		<title>Singer</title>
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		<pubDate>Sat, 19 Feb 2022 16:30:38 +0000</pubDate>
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		<category><![CDATA[Trabajo; oficios; historia del trabajo; pintura; artes mecánicas; anónimo; Museo del Prado; cantor; música; cantar; siglo XVII]]></category>
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					<description><![CDATA[<p>Anonymous portrait of a young singer singing along with his sheet music</p>
<p>The post <a href="https://historylab.es/singer/">Singer</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>The anonymous scene from the early 17th century shows a young singer, one of the most unknown trades of modernity. Historiography often refers to crafts as manual trades (tailors, painters, carpenters&#8230;), forgetting or denigrating musical knowledge despite the importance given to their learning by authors such as Plato and Aristotle. The representation depicts a young man singing a melody in an intimate space, which suggests that he is rehearsing for a recital in front of an audience, most likely in a church or parish church, which were musical centres par excellence during the modern period.</p><p>The post <a href="https://historylab.es/singer/">Singer</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
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