Military themes were popular on both sides of the Eighty Years’ War (1568-1648). The most common image of the soldier’s life was the guardroom scene, a Gallic version of the tavern scene, where soldiers smoke, drink and play cards. However, this painting may have been executed for Leopold Wilhelm, commander-in-chief of the Spanish army in Flanders. It is strange, however, to depict the camp rather than the guardroom, but it attempts to convey the same aimless boredom of military life. Almost every military scene provides an excuse for the artist to depict a still life with as many different weapons as possible. Flemish artists such as Brueghel specialised in depicting allegorical figures surrounded by various attributes. In this case, the drummer could be an allegory of war accompanied by a variety of armour.
Collection: Images
Project: 6. Under a cloak of terror: violence and armed conflict in Europe.
Chronology: XVII
Scope: Secondary Education, Baccalaureate, University
Link: https://www.rct.uk/collection/406577/the-drummer
Resource type: Image
Format: Oil on copper (49,5 x 65,3 cm)
Source: Royall Collection (Reino Unido)
Language: English
Date: 1647
Owner: Álvaro Romero González (Modernalia)
Identifier: RCIN 406577
Copyright: Royall Collection (Reino Unido)
Abstract: A drummer tunes his instrument in the camp under the watchful eye of a young boy
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