Image of the vault of the Hall of Kingdoms where scenes from military history and the Thirty Years’ War are depicted from the perspective of the Spanish Monarchy
Image of the vault of the Hall of Kingdoms where scenes from military history and the Thirty Years’ War are depicted from the perspective of the Spanish Monarchy
Engraving of the view of the Alcázar of Madrid from the Casa de Campo
View of the Buen Retiro Palace, which was ordered to be built around 1634, among other reasons, as a venue for the new courtly pomp and circumstance favoured by the Count-Duke of Olivares.
Part of the Eighty Years’ War, the miracle of Empel was one of the greatest victories of the Spanish tercios in Northern Europe
Peasant festival where the whole village is celebrating outside the village
Representation of the Surrender of Breda, a work that forms part, along with others, of the commemoration of a series of land and naval victories that were won by the armies of the Hispanic Monarchy during the first period of the Thirty Years’ War (1621-30). These canvases were intended for the Salón de Reinos at the Buen Retiro Palace.
Engraving by Goya alluding to the social importance of tailors that went unnoticed
Representation of the Relief of Brisach, a work that forms part, along with others, of the commemoration of a series of land and naval victories that were won by the armies of the Hispanic Monarchy during the first period of the Thirty Years’ War. These canvases were destined for the Salón de Reinos of the Buen Retiro Palace
The only preserved Spanish costume in the world that reflects the way of dressing and the canon of Spanish fashion in the 17th century
Representation of the expugnation of Rheinfelden, a work that forms part, along with others, of the commemoration of a series of land and naval victories that were won by the armies of the Hispanic Monarchy during the first period of the Thirty Years’ War. These canvases were destined for the Salón de Reinos of the Buen Retiro Palace.