Depiction of servile customs extrapolated from the New Testament scenes
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Representation of the Surrender of Juliers, a work that forms part, along with others, of the commemoration of a series of land and naval victories that were won by the armies of the Hispanic Monarchy during the first period of the Thirty Years’ War. These canvases were destined for the Salón de Reinos of the Buen Retiro Palace.
Representation of the Victory of Fleurus, which forms part of the Military History and the Thirty Years’ War fought by the Spanish Monarchy. The victories were commemorated on various canvases in the Salón de Reinos of the Buen Retiro Palace
Representation of the relief of Constanza Square, which forms part of the Military History and the Thirty Years’ War waged by the Spanish Monarchy, whose victories were commemorated on various canvases in the Salón de Reinos of the Buen Retiro Palace
A popular scene in Madrid on the feast of San Isidro, patron saint of Madrid since the 17th century
Representation of the defence of Cadiz against the English, which forms part of the Military History and the Thirty Years’ War waged by the Spanish Monarchy, whose victories were commemorated on various canvases in the Salón de Reinos of the Buen Retiro Palace
Peasant eating beans in an interior. Work by Annibale Carraci
Representation of the recovery of Bahía de Todos los Santos, a work that forms part, along with others, of the commemoration of a series of land and naval victories that smiled on the armies of the Hispanic Monarchy during the first period of the Thirty Years’ War (1621-30). These canvases were intended for the Salón de Reinos at the Buen Retiro Palace.
Peasant festival where the whole village is celebrating outside the village
Representation of the Surrender of Breda, a work that forms part, along with others, of the commemoration of a series of land and naval victories that were won by the armies of the Hispanic Monarchy during the first period of the Thirty Years’ War (1621-30). These canvases were intended for the Salón de Reinos at the Buen Retiro Palace.
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This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
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Developed by JASBAT: IT Services