A round table aimed at informing the public about the latest research carried out recently in three large Andalusian megaliths (Menga, Soto and Montelirio), and the importance of their dissemination. This is a unique opportunity to delve into the fascinating phenomenon of megaliths.
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The archaeological campaigns carried out at the “moat enclosure” of El Casetón de la Era (Villalba de Los Alcores, Valladolid) have revealed the main features of these sites from the beginning of the Copper Age in the centre of the Spanish Northern Subplateau. The research provides relevant data on the work involved in the construction of this device, on the addition of the moats to a previous settlement and on the agricultural economy of its occupants. The “moat enclosures”, which involve a notable cooperative effort, are associated in the middle Douro valley with the first truly stable settlement and the consolidation of agricultural life.
We have been carrying out excavations at the archaeological site of La Draga since 1991. Its location on the eastern shore of Banyoles Lake has meant that the soils of occupation are partly covered by groundwater, favouring an anoxic environment and the preservation of remains of wood and organic matter.
The site would correspond to an ancient Neolithic peasant settlement that was established in the area between 5,300 and 4,900 BC. Throughout this period, two distinct construction phases have been documented based on their chronology, the materials used and the functionality of the structures.
In the Ekain cave (Deba, Gipuzkoa), a small group of parietal art representations have been found, executed by engraving on clay. The similarities between these and the well-known paintings of horses point to the same chronology: Upper Magdalenian, approximately 15,000 years ago. This type of figurative engravings traced with the finger is not very common, but they appear in the Iberian Peninsula and the south of France throughout the Upper Palaeolithic. In this talk we present the new findings and the implications of the use of this technique in the framework of Palaeolithic Art research.
In October 2015, as chance would have it, during a preliminary archaeological impact study, a Neolithic funerary structure was located, which has since been the object of study in different archaeological interventions. It has also become the backbone of a more ambitious project of research, conservation and enhancement, which is being promoted by the City Council of San Martín del Rey Aurelio (Asturias).
Lecture series “The Power of the Past. 150 years of Archaeology in Spain”.
On the presentation of the book ‘Prehistoric art as Prehistoric culture. Studies in honour of Professor Rodrigo de Balbín-Berhmann’. Rodrigo de Balbín Behrmann’s contributions to the interpretation of Palaeolithic Art are the starting point for presenting the state of the art of research, based on the latest works of Portuguese, Spanish, German and English colleagues, and for disseminating them in the English-speaking world.
The authors of the 17 papers that comprise it are part of the most important European research teams. The presence of some of the authors at this round table will allow us to approach some of the current problems regarding the interpretation of Palaeolithic art. In particular, their sequence, extension, topography and, of course, the role of archaeometry in the evaluation of ancient chronologies, which allow us to consider the relationship between these symbolic productions and Neanderthal groups.
Since their discovery more than 160 years ago, Neanderthals have gone from being seen as the losers of the human family tree to being considered first-rate hominids. In her essay “Neanderthals”, Rebecca Wragg Sykes uses cutting-edge research on the Palaeolithic to debunk clichés about our “distant cousins” and reveals Neanderthals as curious and intelligent humans, knowledgeable about their world, technologically creative and adaptable, who managed to survive for over 300,000 years through periods of colossal climatic upheaval.
This book is an open window for discussion and debate, aimed at both laymen and scientists who are tackling a task that is becoming ever more difficult, with surprising new discoveries that require detours and even 180° turns. Exciting research is becoming increasingly topical.
In 2017, the Junta de Comunidades de Castilla-La Mancha published the Catalogue of Cave Art in the Sierra de las Cuerdas on the occasion of the centenary of the discovery of the Villar del Humo shelters. This is one of the most unique sets of Levantine art declared World Heritage. On the occasion of the 20th Anniversary of the declaration of the Cave Art of the Mediterranean Arc of the Iberian Peninsula in 1998, the dissemination of this volume is proposed, which is designed to bring all citizens closer to the knowledge and understanding of these assets in their cultural and natural context.
Prehistory and Romanisation in the Eria Valley (León-Zamora) is an informative work that brings together, in an entertaining and didactic way, a series of historical events, based on the archaeological discoveries made over the last 50 years in this valley located between the provinces of León and Zamora. The book aims to be a tribute to the first researchers who delved into the distant past of this valley and a plea in defence of the natural and historical heritage of the rural environment. The authors present little-known aspects of its environment, from a multidisciplinary point of view, which condition the first occupations during Prehistoric times and the extensive development that began with metallurgy until the Roman occupation. Archaeological findings and historical documents help to explain the planning of the territory based on geological and mining resources, and the development achieved by the cultures that occupied the area.
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This project has been funded with support from the European Commission.
This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
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