<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Artistas - History Lab</title>
	<atom:link href="https://historylab.es/tag/artistas-2/feed/" rel="self" type="application/rss+xml" />
	<link>https://historylab.es</link>
	<description></description>
	<lastBuildDate>Fri, 20 May 2022 15:29:34 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0</generator>

<image>
	<url>https://historylab.es/wp-content/uploads/2021/06/cropped-icono-historylab-32x32.jpg</url>
	<title>Artistas - History Lab</title>
	<link>https://historylab.es</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Merits of Miguel Francisco de Bañuelos Cabeza de Vaca</title>
		<link>https://historylab.es/merits-of-miguel-francisco-de-banuelos-cabeza-de-vaca/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=merits-of-miguel-francisco-de-banuelos-cabeza-de-vaca</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:32:58 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Abogado]]></category>
		<category><![CDATA[Artistas]]></category>
		<category><![CDATA[Bachiller]]></category>
		<category><![CDATA[Cánones]]></category>
		<category><![CDATA[Cargos]]></category>
		<category><![CDATA[Cátedras]]></category>
		<category><![CDATA[Certificaciones]]></category>
		<category><![CDATA[Empleos]]></category>
		<category><![CDATA[Estado]]></category>
		<category><![CDATA[Gobierno]]></category>
		<category><![CDATA[Hoja de servicios]]></category>
		<category><![CDATA[Leyes]]></category>
		<category><![CDATA[méritos]]></category>
		<category><![CDATA[Miguel Francisco de Bañuelos Cabeza de Vaca]]></category>
		<category><![CDATA[Monarquía]]></category>
		<category><![CDATA[Opositores]]></category>
		<category><![CDATA[Presbítero]]></category>
		<category><![CDATA[Rectores]]></category>
		<category><![CDATA[Sala del Crimen]]></category>
		<category><![CDATA[Siglo XVIII]]></category>
		<category><![CDATA[Trayectorias]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/meritos-de-miguel-francisco-de-banuelos-cabeza-de-vaca/</guid>

					<description><![CDATA[<p>Relation of merits and services of Miguel Francisco de Bañuelos Cabeza de Vaca, presbytero lawyer of the Audiencia de Puebla de los Ángeles from where he is patrimonial, and lawyer of the poor of the Audiencia de México in the Sala del Crimen; artist of the Colegio de San Ildefonso and bachelor in Arts, Canons and Law by the Universidad de México, rector and substitute in the chair of Rhetoric, opponent to several chairs</p>
<p>The post <a href="https://historylab.es/merits-of-miguel-francisco-de-banuelos-cabeza-de-vaca/">Merits of Miguel Francisco de Bañuelos Cabeza de Vaca</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>The service records, normally included in the personal files of military or government agents, give a good account of the merits, actions, actions, participations, injuries, permissions, marriages, etc. of these people. These data allow us to know what kind of personal trajectories the agents who made up the government structures of the Hispanic Monarchy throughout the Modern Age constructed, in such a way that their analysis is very useful for understanding and reconstructing the political system.</p><p>The post <a href="https://historylab.es/merits-of-miguel-francisco-de-banuelos-cabeza-de-vaca/">Merits of Miguel Francisco de Bañuelos Cabeza de Vaca</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Portrait of Bernardo Muñoz</title>
		<link>https://historylab.es/portrait-of-bernardo-munoz/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=portrait-of-bernardo-munoz</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:31:14 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[1755]]></category>
		<category><![CDATA[Artesanos]]></category>
		<category><![CDATA[Artistas]]></category>
		<category><![CDATA[Bernardo Muñoz]]></category>
		<category><![CDATA[Estampas]]></category>
		<category><![CDATA[Plateros]]></category>
		<category><![CDATA[Retratos]]></category>
		<category><![CDATA[Siglo XVIII]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/retrato-de-bernardo-munoz/</guid>

					<description><![CDATA[<p>Portrait of Bernardo Muñoz, assayer of gold and silver, by Thomas Francisco Prieto</p>
<p>The post <a href="https://historylab.es/portrait-of-bernardo-munoz/">Portrait of Bernardo Muñoz</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>The image shows the gold and silver assayer, Bernardo Muñoz. At the top of the image we can read: &#8220;Situazion en la que D. Bernardo Muñoz egecuta los ensayes de oro i plata &#8211; i su retrato&#8221;. The portrait of this assayer, one of the most outstanding figures in the organisation of the silversmiths&#8217; guilds in the Modern Age, dedicated to the recognition of the quality of the pieces, is an image of great interest for two reasons: firstly, because it allows us to observe the work space where he carried out his work as an assayer; secondly, because it is an excellent resource for analysing elements linked to everyday life and customs of the time. In this sense, the image allows us to analyse the gesture of the figure himself, as well as some representative elements such as the wig he wears and his clothes, typical of a person of economic solvency who is more akin to an artist than a manufacturing craftsman.</p><p>The post <a href="https://historylab.es/portrait-of-bernardo-munoz/">Portrait of Bernardo Muñoz</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Women in history. The Enlightenment and women</title>
		<link>https://historylab.es/women-in-history-the-enlightenment-and-women/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=women-in-history-the-enlightenment-and-women</link>
		
		<dc:creator><![CDATA[ad_hlab_min]]></dc:creator>
		<pubDate>Sat, 19 Feb 2022 16:28:11 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Artistas]]></category>
		<category><![CDATA[Condesa de Montijo]]></category>
		<category><![CDATA[cultura]]></category>
		<category><![CDATA[Escritores]]></category>
		<category><![CDATA[España]]></category>
		<category><![CDATA[Historia cultural]]></category>
		<category><![CDATA[Historia de las Mujeres]]></category>
		<category><![CDATA[Historia Moderna]]></category>
		<category><![CDATA[Ilustración]]></category>
		<category><![CDATA[Josefa Amar y Borbón]]></category>
		<category><![CDATA[Jovellanos]]></category>
		<category><![CDATA[María Francisca de Sales Portocarrero]]></category>
		<category><![CDATA[María Josefa Alfonso Pimentel]]></category>
		<category><![CDATA[Mujeres]]></category>
		<category><![CDATA[Salones literarios]]></category>
		<category><![CDATA[Siglo XVIII]]></category>
		<guid isPermaLink="false">https://historylab.es/2022/02/19/mujeres-en-la-historia-la-ilustracion-y-las-mujeres/</guid>

					<description><![CDATA[<p>Documentary dedicated to María Josefa Alfonso Pimentel, María Francisca de Sales Portocarrero (Countess of Montijo) and Josefa Amar y Borbón</p>
<p>The post <a href="https://historylab.es/women-in-history-the-enlightenment-and-women/">Women in history. The Enlightenment and women</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>The century of the Enlightenment was the century of the master painter Francisco de Goya, José Cadalso and the musician Domingo Arquimbau, but it was also the century of women, not forgetting that it was the scene of the first Tonadilla divas and of many aristocratic ladies who practised artistic activities as entertainment. The chapter deals with the crucial role played by some well-educated women with an interest in culture and high social standing, such as María Josefa Alfonso Pimentel, María Francisca de Sales Portocarrero (Countess of Montijo) and Josefa Amar y Borbón, who favoured the creation of literary salons and social clubs or conversation houses, as Jovellanos called them. These salons challenged the patterns and models belonging to traditionally male spheres. This video documentary shows biographical sketches of the lives of these women and their drive to protect culture and the figure of numerous artists, writers and philosophers. Their lives were not easy, as they had to fight and defend themselves from constant attack by institutions, including the Inquisition.</p><p>The post <a href="https://historylab.es/women-in-history-the-enlightenment-and-women/">Women in history. The Enlightenment and women</a> first appeared on <a href="https://historylab.es">History Lab</a>.</p>]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
