Élites de poder - History Lab

Socio-professional representation in the Pamplona Regiment (18th c.)

ad_hlab_min — Sat, 19 Feb 2022 16:30:03 +0000

In their aim to hold the positions of local administration in Navarre, the nobility designed and established a process through which members of the aristocracy could gain access to a political career during Modernity. Education from early childhood became one more tool for overcoming the rest of the population, and government and administration posts were reserved for them when they reached sufficient age and ability.
As early as the Catholic Monarchs in Navarre, people of trust were placed in positions of local government, promoting institutional and social processes in which they had to be reviewed in their posts. But as the years went by, the council posts in Pamplona were occupied almost entirely by the urban aristocracy, reaching their peak in the 18th century.
As for the city’s aldermen, most of them were nobles, the rest falling to certain socio-professional groups that barely accounted for 1% of the total urban population, being lawyers, notaries, solicitors and merchants. On the other hand, a large proportion of Navarrese (35% of the total) were excluded from local public office for almost the whole of Modernity. As a result, the autonomy of power in the smaller towns was more lax, with the main Navarrese graduates focusing on occupying positions of higher political and social status, leaving the concern in these rural areas in the hands of the lower and middle nobility.

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The Countess of Montijo (1754-1808)

ad_hlab_min — Sat, 19 Feb 2022 16:27:41 +0000

who was Mª Francisca de Sales Portocarrero y Guzmán (1754-1808), VI Countess of Montijo? The answer is offered by Gloria Franco Rubio, Professor of Modern History at the Complutense University of Madrid, in a presentation lasting just over 13 minutes. The video, hosted on the website Recursos Didácticos para la Historia Moderna y Contemporánea de las Mujeres y las Relaciones de Género en España, focuses on her figure as one of the most brilliant women of enlightened Spain. Translator of French works, salon conductor, active secretary of the Junta de Damas, she was also a suspect in religious matters. Her life trajectory shows a strong and free personality, unconventional in the society of her time and contrary to the model of the traditional domestic woman. Involved in the problems of her time, she wanted to contribute to the attainment of public happiness by getting involved in the search for solutions, developing activities and contributing initiatives that led her to adopt a personal commitment to the reformist tendencies of the enlightened governments, almost always acting with great solidarity towards women

The post The Countess of Montijo (1754-1808) first appeared on History Lab.

The history of women in the Prado Museum. Educational guide

ad_hlab_min — Sat, 19 Feb 2022 16:27:41 +0000

According to the presentation made by the Museo del Prado itself, the Didactic Guide is based on the need to promote the association of museums and educational institutions to create joint strategies to overcome gender inequalities through a critical approach to the history and theories of art. The project is part of “Didactics 2.0 Museums in Feminine”, a project that is the result of joint work between a team from the Feminist Research Institute of the Complutense University of Madrid, the e-Women Association and the teams from the Museums participating in the project: Museo del Prado, Museo Nacional Centro de Arte Reina Sofía, Museo Arqueológico Nacional, Museo del Traje and Museo Nacional de Cerámica González Martí. The itineraries prepared by Antonia Fernández Valencia, Marián López Fernández Cao and Asunción Bernárdez Rodal address two basic themes: Women and power and Women’s jobs. According to these authors, although they are clearly related to each other, we can say that they have a profoundly complementary character from a social point of view, since the first one basically includes the works and biographies of women from royal and noble houses, while the second one, even including some examples of women from these groups due to their political activity, focuses essentially on the works of women from the middle and working classes. Both itineraries choose different works that put us in contact with different aspects of women in history and can lead us in turn to different themes of the History of Spain in the Modern Age. They are divided into several blocks: Discourse on motherhood, devotion, power and women’s knowledge; Queens and regents in Hapsburg Spain; Our daily work; Family portraits; and Women with their own name. With a clear methodology in terms of objectives and content, as well as the keys to analysis that are of most interest, in each section there is a section of proposed activities and complementary activities for students. And at the end, a series of appendices are added which deal with aspects related to the portraits, questioning the social situation or abounding in lines of conceptual work which can be expanded on later by resorting to other primary sources or historiography.

The post The history of women in the Prado Museum. Educational guide first appeared on History Lab.

Women’s lives through ceramics and sumptuary arts

ad_hlab_min — Sat, 19 Feb 2022 16:27:41 +0000

Didactic guide that aims to provide work material for teachers and students interested in opening up new avenues of reflection based on active participation and critical questioning of the history and theories of art with the inclusion of the gender perspective. From the collections of the Museo Nacional de Cerámica Gonzalez Martí, which houses a series of objects that refer us to different spheres of artistic reflection and cultural production, the aim is to raise questions about gender equality. Objects that speak to us from the power of accumulation and wealth to different forms of reproduction of everyday life and care, from the most intimate spheres to the presence of the public sphere. The itinerary proposed by the authors – Asunción Bernardez Rodal, Antonia Fernández Valencia and Marián López Fernández Cao – responds to the need to give greater visibility to women’s work and their participation in both material and symbolic life throughout history. The itinerary we propose has two lines of development: on the one hand, it aims to highlight the importance of women in artistic creation in general and in ceramics in particular, questioning above all the traditional role of women in art, which has been above all that of being models for artists. Secondly, the analysis of social space as significant places where gender relations are expressed. Although the chronological approach of the guide is long-term, the Modern Age has an important presence. The project is part of “Didactics 2.0 Museums in Feminine”, a project that is the result of joint work between a team from the Feminist Research Institute of the Complutense University of Madrid, the e-Women Association and the teams from the museums participating in the project: Museo del Prado, Museo Nacional Centro de Arte Reina Sofía, Museo Arqueológico Nacional, Museo del Traje and Museo Nacional de Cerámica González Martí

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