Goya portrayed this scene in which the potter was a character dedicated to selling everyday objects as merchandise during the 18th century
Goya portrayed this scene in which the potter was a character dedicated to selling everyday objects as merchandise during the 18th century
Processional court image sculpted by Francisco Salzillo in 1755. Church of Jesús, Salzillo Museum (Murcia)
A festive scene in 18th-century Madrid featuring a group of majos painted by Goya
Privateering patent granted by Charles III, which is part of a set of several patents he granted around 1771. The upper part shows the side view of a ship which, together with the border headed by the Royal Arms, serves as ornamentation for these patents. The patent was engraved by Hipólito Recarte.
Portrait by P. Pedemonte of Cardinal D. Luis Belluga and Moncada (1662-1743)
Representation of a masked ball held, probably, at the Teatro del Príncipe in Madrid, painted by Luis Paret and Alcázar around 1767.
Image representative of the greatness of Spain and its monarchy.
Representation of cochineal cultivation and production. The image shows a picture of a cultivated cactus, where the mealybug has swarmed well.
The image depicts the plan and section of a ship engaged in the black slave trade. The document is written in English and published in London.
The image depicts shares in the Real Compañía de San Fernando de Sevilla, in favour of Pedro de Astrearena, a resident of Madrid, worth 250 pesos each.