In the field of painting, Hellenism can be framed between two well-defined events: the beginning is to be found in the generational change which, in the last two decades of the 4th century BC, marked the transition between the career of Apelles and that of his younger disciples and competitors, Antiphilus in particular; and the end would coincide with the organisation of the Augustan style and its most striking manifestation: the establishment of the Pompeian style in the decade 30-20 BC.
Collection: Texts
Project: 11. Science and culture as representation in Europe.
Chronology: -
Scope: Secondary Education
Link: http://www.man.es/man/dam/jcr:a4365286-d2de-4eea-9895-09d305fc377e/man-bol-1995-elvira-barba.pdf
Resource type: pdf
Format: Texts
Owner: Arqueological National Museum of Spain (MAN) (Modernalia)
Abstract: In the field of painting, Hellenism can be framed between two well-defined events: the beginning is to be found in the generational change which, in the last two decades of the 4th century BC, marked the transition between the career of Apelles and that of his younger disciples and competitors, Antiphilus in particular; and the end would coincide with the organisation of the Augustan style and its most striking manifestation: the establishment of the Pompeian style in the decade 30-20 BC.
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