Social reality and amusement of the majos depicted in an exterior by Goya
Social reality and amusement of the majos depicted in an exterior by Goya
The work, painted by Goya, shows a blind man surrounded by a group of blind people playing the guitar in front of them. This musical practice was widespread among the blind, as other portraits of the period show
Goya portrayed this scene in which the potter was a character dedicated to selling everyday objects as merchandise during the 18th century
Processional court image sculpted by Francisco Salzillo in 1755. Church of Jesús, Salzillo Museum (Murcia)
A festive scene in 18th-century Madrid featuring a group of majos painted by Goya
Privateering patent granted by Charles III, which is part of a set of several patents he granted around 1771. The upper part shows the side view of a ship which, together with the border headed by the Royal Arms, serves as ornamentation for these patents. The patent was engraved by Hipólito Recarte.
Portrait by P. Pedemonte of Cardinal D. Luis Belluga and Moncada (1662-1743)
Representation of social reality in a couple’s early marital scenes
Representation of hunting techniques in the 18th century
Hunting scene painted by Goya as an example of the social reality of the 18th century